UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Kameido ume yashiki (Plum estate, Kameido)

Details
UTAGAWA HIROSHIGE (1797-1858)
Kameido ume yashiki (Plum estate, Kameido)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 11th month 1857, deluxe edition
Vertical oban: 14 x 9 ½ in. (35.6 x 24.1 cm.)
Provenance
Ex Arthur Wesley Dow Collection, sold at Dow's estate auction, American Art Galleries, New York, 27-29 March 1923, lot 827
East West Gallery, New York
Acquired from the above, 1995
Literature
Van Gogh & Japan (Mercatorfonds, Van Gogh Museum, Hokkaido Shimbun Press, 2018), fig. 25.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), exh. cat., Plate 3.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023), plate no. 124A.
Exhibited
'Van Gogh & Japan', Van Gogh Museum, Amsterdam, 23 March-24 June 2018
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Umeyashiki is the name of a plum garden on the bank of the Sumida River that drew large numbers of visitors to enjoy the view and scent of the blossoming trees in early spring. Hiroshige's striking design places the trunk and branches of a plum tree boldly in the foreground. The shape of this particular tree led to it becoming known as Resting Dragon Plum (Garyubai), because its branches grew so long they re-entered the earth. The viewer is obliged to look through the branches of the tree and of those behind to see a group of visitors to the garden admiring the blossoms from behind a fence. The unusual and dramatic vantage point and bold use of color are characteristics that inspired 19th-century artists such as Vincent van Gogh, Claude Monet and James McNeill Whistler and in many cases dramatically influenced their work. Another impression of this particular print was acquired by van Gogh and inspired him to such an extent that, along with A Sudden Shower over Ohashi and Atake by Hiroshige, he produced his own version in oil, Flowering Plum Orchard (after Hiroshige), 1887, now in the Van Gogh Museum, Amsterdam.

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