UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
1 More
Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Yotsugidori yosui hikifune (Towboats along the Yotsugidori Canal)

Details
UTAGAWA HIROSHIGE (1797-1858)
Yotsugidori yosui hikifune (Towboats along the Yotsugidori Canal)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 2nd month 1857
Vertical oban: 14 ¼ x 9 5⁄8 in. (36.2 x 24.4 cm.)
Provenance
Sotheby's London, 10 November 2005, lot 833
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 108.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 3.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The Yotsugidori Canal was originally constructed in the seventeenth century as a waterway supplying drinking water to Fukagawa, located northeast of Edo. It was later used to transport goods and passengers. Because the canal was narrow and shallow, boats could not be propelled by oars and were instead pulled along the bank by towmen. Here, Hiroshige transforms the canal’s otherwise straight course into a dramatic series of curves, creating an unusual sense of movement and depth. The bird’s-eye view further emphasizes this effect. This deliberate distortion of the landscape is characteristic of Hiroshige’s imaginative approach to familiar sites in Edo.
The blue bokashi extending upward through the center of the canal shifts toward the left at the first curve, while a broad triangular area of dark bokashi occupies the lower-left bank, with reddish-brown bokashi extending into the side paths. The dark blue horizontal band of haze in the distance and the bokashi applied along the mountaintop are also characteristic features of early impressions of this print.

More from Hiroshige: Colors of the Four Seasons | The Alan Medaugh Collection

View All
View All