UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Asakusagawa Shubi-no-matsu Onmaigashi (Pine of Success and Onmai Riverbank at Asakusa River)

Details
UTAGAWA HIROSHIGE (1797-1858)
Asakusagawa Shubi-no-matsu Onmaigashi (Pine of Success and Onmai Riverbank at Asakusa River)
Woodblock print, from the series Meisho Edo hyakkei (One hundred famous views of Edo), signed Hiroshige ga, published by Uoya Eikichi, 3rd month 1856
Vertical oban: 14 x 9 ¼ in. (35.6 x 23.5 cm.)
Provenance
Carolyn Staley Fine Japanese Prints, Seattle
Acquired from the above, 1997
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 101.
Andreas Marks, Hiroshige's One Hundred Famous Views of Edo: The Definitive Collector's Edition (Tuttle Publishing, 2024). Plate 61.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

On a clear, starlit night, groups of people enjoy the cool evening air and views of the river from open boats. Beneath the famous Pine of Success, however, Hiroshige subtly suggests a more intimate encounter: two pairs of wooden clogs left at the end of a roofed pleasure boat hint at the presence of a couple within. In early impressions of this design, such as the present lot, the faint silhouette of a woman can even be seen behind the curtain. To Hiroshige’s contemporaries, the implication would have been readily understood, as the area beneath the Pine of Success was well known as a meeting place for lovers’ rendezvous in midnight.
Hiroshige also depicted the scene in a painting (lot 169), in which a full moon illuminates the night and the woman’s silhouette is more clearly visible, seemingly looking out through the curtain.

More from Hiroshige: Colors of the Four Seasons | The Alan Medaugh Collection

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