UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Japanese Kerria (Yamabuki) and Frogs

Details
UTAGAWA HIROSHIGE (1797-1858)
Japanese Kerria (Yamabuki) and Frogs
Woodblock print, signed Hiroshige hitsu, published by Wakasaya Yoichi (Jakurindo), circa 1832
Vertical otanzaku: 15 1⁄8 x 7 in. (38.4 x 17.8 cm.)
Provenance
Sebastian Izzard Asian Art LLC, New York
Aquired from the above, 2003
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 268.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 73.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

Hokusai was renowned for his innovative compositions, yet Hiroshige was equally masterful, particularly in his use of the vertical tanzaku format. In this design of kerria and frogs, the kerria branch and the stream, the latter rendered in ai bokashi, divide the composition into two and lead the viewer’s eye diagonally from the upper left to the lower right. One of the frogs swimming in the opposite direction provides a striking counterpoint, creating a dynamic tension within the composition.
The poem by Chotei has been read and translated by John T. Carpenter as:
Harusame no
Furu ku nagara mo
Yamabuki no
Mi no hitotsu dani
Naku kawazu kana
As spring showers pour down
we are reminded of the age-old verse
about yellow roses bearing no fruit
nor offering a cloak in the rain –
and hear the sound of croaking frogs.

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