UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Kingfisher and Hydrangea

Details
UTAGAWA HIROSHIGE (1797-1858)
Kingfisher and Hydrangea
Woodblock print, signed Hiroshige hitsu, published by Wakasaya Yoichi (Jakurindo), circa 1832
Vertical otanzaku: 15 x 7 in. (38.1 x 17.8 cm.)
Provenance
Christie's New York, 25 March 2003, lot 245
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 269.
\Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 70.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

Hiroshige had a remarkable ability to capture fleeting moments, almost as if viewing the world through a high-speed camera, freezing movement at its most dynamic instant. This work is a particularly striking example, capturing the split second when a kingfisher flying over hydrangeas is about to dive. The bird’s seemingly awkward, rigid pose paradoxically heightens the sense of movement, conveying the precise instant in which its motion is momentarily suspended. In contrast, the hydrangeas are rendered without detail or outlines, their simplified forms further accentuating the tension and immediacy of the moment.
The poem by Sakuma Nagatoshi (1686-1748) has been read and translated by John T. Carpenter as:
Ajisai ya
Mizu ni sakenedo
Mizukusashi
Hydrangeas-
Not blooming in water,
But waterly in feeling.

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