UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Trained Monkey under a Blossoming Cherry Tree

Details
UTAGAWA HIROSHIGE (1797-1858)
Trained Monkey under a Blossoming Cherry Tree
Woodblock print, signed Hiroshige hitsu, published by Wakasaya Yoichi (Jakurindo), early 1830s
Vertical otanzaku: 15 x 6 ¾ in. (38.1 x 17.1 cm.)
Provenance
Grabhorn Collection
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2005
Literature
Yamaguchi Keizaburo, Masterpieces of Ukiyo-e from the Irma Grabhorn-Engel Collection (Bun You Associates, 1995). Exh. cat. no. 198.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 276.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 76.
Exhibited
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025
'World Debut Exhibition of the Irma Grabhorn-Engel Collection', Japan, October 1995-January 1996. Exh. cat. no. 198

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

In Japan, monkeys were regarded as messengers of the gods and were believed to protect horses and cattle. The traditional performance of sarumawashi originally served a religious purpose, helping to ward off evil and protect animals. During the Edo period, monkeys also became popular subjects in paintings and prints, including Zen Buddhist paintings. Here, the monkey is depicted climbing onto a platform and gazing fiercely at something, perhaps cherry petals drifting in the breeze or an insect in flight. The peaceful atmosphere of spring is completely disrupted by the monkey’s tense and stern gaze. For a similar work by Hiroshige with the same subject with maple tree, see Suzuki Juzo, Utagawa Hiroshige (Nihon Keizai Shinbun, 1970), no. 186.
The poem by Ki no Haseo (845-912) has been read and translated by Henri Kerlen as:
Jin’en issue no aki no mura sakaeri
saru sakebite akatsuki no kyo fukashi
Remote is the autumn village that yields a trail of cooking smoke,
Deep is the dawn ravine that rings with three cries from a gibbon.

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