UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Mallard Duck and Snow-Covered Reeds

Details
UTAGAWA HIROSHIGE (1797-1858)
Mallard Duck and Snow-Covered Reeds
Woodblock print, signed Hiroshige hitsu, published by Kikakudo, circa 1830s-42
Vertical otanzaku: 15 x 6 ¾ in. (38.1 x 17.1 cm.)
Provenance
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2003
Literature
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 324B.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

Utagawa Hiroshige was one of the first ukiyo-e masters who produced bird prints. He preferred a tall and narrow format, tanzaku, as seen in this piece. This specific format allowed him to explore new compositions and to express the beauty of birds and plants in a poetic yet accurate way. This masterpiece, Ducks in Snow, is a perfect example of Hiroshige’s talent in such subject. The image transmitted the cold air to viewers by showing the falling snow, frozen reeds and the dark sky in grey bokashi (graduation). Yet by contrast is the duck’s colorful feather and peaceful expression adding liveliness to the picture.
The verse by Sugisaka Hyakumei has been read and translated by John T. Carpenter as:
Kamo naku ya
kaze fuki shiwamu
mizu no omo
A duck quacks
as the wind wrinkles
the face of the water.

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