UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Sumidagawa (Sumida River)

Details
UTAGAWA HIROSHIGE (1797-1858)
Sumidagawa (Sumida River)
Woodblock print, from the series Furyu shincho Toto meisho (Famous views of the Eastern Capital in a fashionable new form), signed Hiroshige ga, published by Murataya Ichigoro (Muraichi), circa 1840
Vertical chutanzaku: 14 x 5 1⁄8 in. (35.6 x 13 cm.)
Provenance
Carolyn Staley Fine Japanese Prints, Seattle
Acquired from the above, 1997
Literature
Matti Forrer. Hiroshige (Prestel, 2017). Plate 107.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

Lot Essay

A wagtail perches atop a tall wooden pile in the Sumida River at Mukojima, with the busy riverside landscape of Edo extending into the distance. Its sharply raised tail creates an unusually elongated, almost calligraphic form that echoes the verticality of the wooden piles and is particularly effective within the narrow tanzaku format.
The distant Matsuchiyama Honryuin Temple further anchors the scene in the local landscape. According to tradition, sacred Mount Matsuchiyama rose miraculously from the earth, whereupon a golden dragon descended from heaven and encircled the mountain to protect it. Hiroshige may have drawn upon this legend in a playful mitate, transforming the wagtail perched upon the wooden pile into a humorous visual counterpart to the heavenly dragon associated with Matsuchiyama. The relationship between the small bird, towering pile, and sacred landscape gives the composition both wit and poetic resonance.

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