UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Yodogawa (The Yodo River)

Details
UTAGAWA HIROSHIGE (1797-1858)
Yodogawa (The Yodo River)
Woodblock print, from the series Kyoto meisho (Famous places of Kyoto), signed Hiroshige ga, published by Mitaya Kihachi (Eisendo) and Kawaguchiya Uhee (Fukusendo), circa 1834
Horizontal oban: 9 ¼ x 14 3⁄8 in. (23.5 x 36.5 cm.)
Provenance
Hayashi Tadamasa (1853-1906), Paris
Christie's London, 5 November 2007, lot 738
Literature
Chris Uhlenbeck and Marije Jansen, Hiroshige: Shaping of Image of Japan (Hotei Publishing, 2008). Plate 64.
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 242C.
Exhibited
'Hiroshige: Shaping of the Images of Japan", SieboldHuis, Leiden, 31 October-14 December 2008

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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Lot Essay

A ferry laden with passengers and luggage crosses the Yodo River, a major route between Kyoto and Osaka, a journey of half to a full day. Rather than serving sightseeing, boats on the Yodo River were primarily functional. A smaller kurawankabune has pulled alongside to serve food and drink, while a cuckoo, an auspicious symbol, flies across the full moon. Unlike other Yodo River prints, which often adopt a bird’s-eye or distant view to emphasize the landscape, Hiroshige draws attention to life aboard the boat, combining a poetic, nostalgic setting with scenes of everyday life: a mother nursing her infant, tired men napping, two friends chatting while enjoying a cup of sake, a Konpira pilgrim resting with his tengu mask set aside, and a boatman gazing up at the moon and passing cuckoo.

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