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Temple of Style: The Barbara Jakobson Collection
DONALD JUDD (1928-1994)
Untitled
Details
DONALD JUDD (1928-1994)
Untitled
red lacquer on galvanized iron
5 x 69 x 8 ½ in. (12.7 x 175.3 x 21.6 cm.)
Conceived in 1965 and fabricated in 1969. This work is one of eight unique examples fabricated between 1965 and 1970.
Untitled
red lacquer on galvanized iron
5 x 69 x 8 ½ in. (12.7 x 175.3 x 21.6 cm.)
Conceived in 1965 and fabricated in 1969. This work is one of eight unique examples fabricated between 1965 and 1970.
Provenance
Leo Castelli Gallery, New York
Acquired from the above by the present owner, 1970
Acquired from the above by the present owner, 1970
Literature
M. Bochner, "Art in Process—Structures," Arts Magazine, vol. 40, no. 9, September-October 1966, p. 38 (another example illustrated in situ).
D. del Balso, B. Smith and R. Smith, Donald Judd: Catalogue Raisonné of Paintings, Objects and Wood-blocks 1960 -1974, Ottawa, 1975, pp. 131-132 and 292, no. 70, fig. 18 (another example illustrated; another example illustrated in situ).
C. von Marlin, Public - Art - Space. Zum Öffentlichkeitscharakter der Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris, Weimar, 2008, p. 186.
W. Goodman, "Art Collector Barbara Jakobson's Vertical Life," New York Magazine, 24 May 2021, digital (partially illustrated in situ).
D. del Balso, B. Smith and R. Smith, Donald Judd: Catalogue Raisonné of Paintings, Objects and Wood-blocks 1960 -1974, Ottawa, 1975, pp. 131-132 and 292, no. 70, fig. 18 (another example illustrated; another example illustrated in situ).
C. von Marlin, Public - Art - Space. Zum Öffentlichkeitscharakter der Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris, Weimar, 2008, p. 186.
W. Goodman, "Art Collector Barbara Jakobson's Vertical Life," New York Magazine, 24 May 2021, digital (partially illustrated in situ).
Exhibited
Philadelphia, Institute of Contemporary Art, University of Pennsylvania, 7 Sculptors: Anthony Caro, John Chamberlain, Donald Judd, Alexander Liberman, Tina Matkovic, David Smith, Anne Truitt, December 1965-January 1966, p. 17 (another example exhibited).
New York, Finch College Museum of Art/Contemporary Study Wing, Art in Process: The Visual Development of a Structure, May-June 1966, n.p. (another example exhibited).
New York, Riverside Museum, Sculpture: New York Scene, March 1967 (another example exhibited).
New York, Bykert Gallery, Group Exhibition, October 1967 (another example exhibited).
New York, Whitney Museum of American Art, Don Judd, February-March 1968, p. 32 (another example exhibited and illustrated).
Ridgefield, Aldrich Museum of Contemporary Art, Art of the 60's: Selections from the Collection of Hanford Yang, September-December 1968, n.p., no. 35 (another example exhibited and illustrated).
Pasadena Art Museum, Don Judd, May-July 1971, pp. 54 and 66, no. 26, pl. 32 (another example exhibited and illustrated).
Eindhoven, Stedelijk Van Abbemuseum; Düsseldorf, Städtische Kunsthalle; Musée d'Art Moderne de la Ville de Paris; Barcelona, Fundació Joan Miró and Turin, Castello di Rivoli, Donald Judd: Sculptures 1965-1987, April 1987-September 1988, n.p., no. 10 (another example exhibited and illustrated).
Berlin, Martin-Gropius-Bau and London, Royal Academy of Arts, American Art in the 20th Century: Painting and Sculpture 1913-1993, May-December 1993, n.p., no. 201 (another example exhibited and illustrated).
Tokyo, Museum of Contemporary Art, Revolution: Art of the Sixties from Warhol to Beuys, September-December 1995, p. 165, no. 71 (another example exhibited and illustrated).
London, Tate Gallery and Stuttgart, Württembergischer Kunstverein, Stiftung Froehlich Sammlungsblöcke, May-November 1996, p. 154, no. 112 (another example exhibited and illustrated).
London, Tate Gallery, New Displays 1999: Donald Judd and Cy Twombly: Loans from the Froelich Collection, June-September 1999 (another example exhibited).
Karlsruhe, Museum für Neue Kunst, Minimal Art aus den privaten Sammlungen im Museum für Neue Kunst, March-April 2001, p. 51 (another example exhibited and illustrated).
Kunsthalle Bielefeld and Houston, Menil Collection, Donald Judd. The Early Work: 1955-1958, May 2002-April 2003, n.p., no. 133 (another example exhibited and illustrated).
London, Tate Modern; Düsseldorf, K20 Kunstsammlung Nordrhein-Westfalen and Kunstmuseum Basel, Donald Judd, February 2004-January 2005, pp. 184-185, no. 12 (another example exhibited and illustrated).
Saint Louis Art Museum, Minimal Art from Saint Louis Collections, August 2005-July 2006, no. 11 (another example exhibited).
Saint Louis Art Museum, A New View: Contemporary Art, June 2013-January 2014 (another example exhibited).
New York, Leo Castelli Gallery, Donald Judd, Roy Lichtenstein, Kenneth Noland: A Dialogue, April-June 2016, pp. 22-23, fig. 16 (another example exhibited and illustrated).
New York, Finch College Museum of Art/Contemporary Study Wing, Art in Process: The Visual Development of a Structure, May-June 1966, n.p. (another example exhibited).
New York, Riverside Museum, Sculpture: New York Scene, March 1967 (another example exhibited).
New York, Bykert Gallery, Group Exhibition, October 1967 (another example exhibited).
New York, Whitney Museum of American Art, Don Judd, February-March 1968, p. 32 (another example exhibited and illustrated).
Ridgefield, Aldrich Museum of Contemporary Art, Art of the 60's: Selections from the Collection of Hanford Yang, September-December 1968, n.p., no. 35 (another example exhibited and illustrated).
Pasadena Art Museum, Don Judd, May-July 1971, pp. 54 and 66, no. 26, pl. 32 (another example exhibited and illustrated).
Eindhoven, Stedelijk Van Abbemuseum; Düsseldorf, Städtische Kunsthalle; Musée d'Art Moderne de la Ville de Paris; Barcelona, Fundació Joan Miró and Turin, Castello di Rivoli, Donald Judd: Sculptures 1965-1987, April 1987-September 1988, n.p., no. 10 (another example exhibited and illustrated).
Berlin, Martin-Gropius-Bau and London, Royal Academy of Arts, American Art in the 20th Century: Painting and Sculpture 1913-1993, May-December 1993, n.p., no. 201 (another example exhibited and illustrated).
Tokyo, Museum of Contemporary Art, Revolution: Art of the Sixties from Warhol to Beuys, September-December 1995, p. 165, no. 71 (another example exhibited and illustrated).
London, Tate Gallery and Stuttgart, Württembergischer Kunstverein, Stiftung Froehlich Sammlungsblöcke, May-November 1996, p. 154, no. 112 (another example exhibited and illustrated).
London, Tate Gallery, New Displays 1999: Donald Judd and Cy Twombly: Loans from the Froelich Collection, June-September 1999 (another example exhibited).
Karlsruhe, Museum für Neue Kunst, Minimal Art aus den privaten Sammlungen im Museum für Neue Kunst, March-April 2001, p. 51 (another example exhibited and illustrated).
Kunsthalle Bielefeld and Houston, Menil Collection, Donald Judd. The Early Work: 1955-1958, May 2002-April 2003, n.p., no. 133 (another example exhibited and illustrated).
London, Tate Modern; Düsseldorf, K20 Kunstsammlung Nordrhein-Westfalen and Kunstmuseum Basel, Donald Judd, February 2004-January 2005, pp. 184-185, no. 12 (another example exhibited and illustrated).
Saint Louis Art Museum, Minimal Art from Saint Louis Collections, August 2005-July 2006, no. 11 (another example exhibited).
Saint Louis Art Museum, A New View: Contemporary Art, June 2013-January 2014 (another example exhibited).
New York, Leo Castelli Gallery, Donald Judd, Roy Lichtenstein, Kenneth Noland: A Dialogue, April-June 2016, pp. 22-23, fig. 16 (another example exhibited and illustrated).
Brought to you by
Kathryn Marber
Specialist, Head of Sale, Post-War to Present