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Untitled #470
Details
CINDY SHERMAN (B. 1954)
Untitled #470
signed, numbered and dated 'Cindy Sherman 2008 AP1' (on a paper label affixed to the backing board)
chromogenic print, in artist's frame
88 ¼ x 61 ½ in. (224.2 x 156.2 cm.)
Executed in 2008. This work is the first artist's proof from an edition of six plus one artist's proof.
Untitled #470
signed, numbered and dated 'Cindy Sherman 2008 AP1' (on a paper label affixed to the backing board)
chromogenic print, in artist's frame
88 ¼ x 61 ½ in. (224.2 x 156.2 cm.)
Executed in 2008. This work is the first artist's proof from an edition of six plus one artist's proof.
Provenance
Acquired directly from the artist by the present owner, 2008
Literature
R. Smith, "Photography's Angel Provocateur," The New York Times, 24 February 2012, p. C25 (another example illustrated).
E. Heartney, H. Posner, N. Princenthal and S. Scott, After the Revolution: Women Who Transformed Contemporary Art, New York, 2013, p. 195 (another example illustrated).
P. Moorhouse, Cindy Sherman, London, 2014, p. 140, no. 113 (another example illustrated).
P. Church Gibson “Cindy Sherman in a New Millennium: Fashion, Feminism, Art and Ageing,” Australian Feminist Studies, vol. 33, no. 98, 2018, pp. 481-497 (another example illustrated).
Cindy Sherman, exh. cat., London, National Portrait Gallery, 2019, pp. 205 and 253 (another example illustrated).
L. Allsop, “The ‘Real’ Cindy Sherman.” ArtReview, 21 September 2020, digital (another example illustrated).
W. Middleton and L. Benaïm, Codognato Masterpiece, New York, 2023, p. 53 (another example illustrated).
E. Heartney, H. Posner, N. Princenthal and S. Scott, After the Revolution: Women Who Transformed Contemporary Art, New York, 2013, p. 195 (another example illustrated).
P. Moorhouse, Cindy Sherman, London, 2014, p. 140, no. 113 (another example illustrated).
P. Church Gibson “Cindy Sherman in a New Millennium: Fashion, Feminism, Art and Ageing,” Australian Feminist Studies, vol. 33, no. 98, 2018, pp. 481-497 (another example illustrated).
Cindy Sherman, exh. cat., London, National Portrait Gallery, 2019, pp. 205 and 253 (another example illustrated).
L. Allsop, “The ‘Real’ Cindy Sherman.” ArtReview, 21 September 2020, digital (another example illustrated).
W. Middleton and L. Benaïm, Codognato Masterpiece, New York, 2023, p. 53 (another example illustrated).
Exhibited
New York, Metro Pictures and Berlin and London, Sprüth Magers, Cindy Sherman, November 2008-April 2009, n.p. (another example exhibited, illustrated and illustrated on the front cover).
Rome, Gagosian Gallery, Cindy Sherman, June-September 2009, n.p. (another example exhibited and illustrated).
Munich, Museum Villa Stuck, Street Life and Home Stories: Photographs from the Goetz Collection, June-September 2011, pp. 171 and 216 (another example exhibited and illustrated).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center and Dallas Museum of Art, Cindy Sherman: A Retrospective, February 2012-June 2013, pp. 222 and 245, pl. 167 (another example exhibited and illustrated).
Kunsthaus Zürich, Deftig Barock: Von Cattelan bis Zurbarán - Manifeste des prekär Vitalen, June-September 2012, pp. 133 and 167 (another example exhibited and illustrated).
Kunsthaus Bregenz, Love Is Colder than Capital: An Exhibition About the Value of Feelings, February-April 2013 (another example exhibited).
Oslo, Astrup Fearnley Museet; Stockholm, Moderna Museet and Kunsthaus Zürich, Cindy Sherman—Untitled Horrors, May 2013-September 2014, pp. 213 and 227 (another example exhibited and illustrated).
Munich, Sammlung Goetz, Cindy Sherman, January-July 2015, pp. 73, 151, 156 and 174 (another example exhibited and illustrated).
Brisbane, Queensland Art Gallery, Gallery of Modern Art and City Gallery Wellington, Cindy Sherman, May 2016-March 2017, pp. 112-113 (another example exhibited and illustrated).
Stockholm, Moderna Museet, Collection Presentation, January-March 2018 (another example exhibited).
Paris, Fondation Louis Vuitton, Cindy Sherman, September 2020-January 2021, pp. 187 and 237 (another example exhibited and illustrated).
Rome, Gagosian Gallery, Cindy Sherman, June-September 2009, n.p. (another example exhibited and illustrated).
Munich, Museum Villa Stuck, Street Life and Home Stories: Photographs from the Goetz Collection, June-September 2011, pp. 171 and 216 (another example exhibited and illustrated).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center and Dallas Museum of Art, Cindy Sherman: A Retrospective, February 2012-June 2013, pp. 222 and 245, pl. 167 (another example exhibited and illustrated).
Kunsthaus Zürich, Deftig Barock: Von Cattelan bis Zurbarán - Manifeste des prekär Vitalen, June-September 2012, pp. 133 and 167 (another example exhibited and illustrated).
Kunsthaus Bregenz, Love Is Colder than Capital: An Exhibition About the Value of Feelings, February-April 2013 (another example exhibited).
Oslo, Astrup Fearnley Museet; Stockholm, Moderna Museet and Kunsthaus Zürich, Cindy Sherman—Untitled Horrors, May 2013-September 2014, pp. 213 and 227 (another example exhibited and illustrated).
Munich, Sammlung Goetz, Cindy Sherman, January-July 2015, pp. 73, 151, 156 and 174 (another example exhibited and illustrated).
Brisbane, Queensland Art Gallery, Gallery of Modern Art and City Gallery Wellington, Cindy Sherman, May 2016-March 2017, pp. 112-113 (another example exhibited and illustrated).
Stockholm, Moderna Museet, Collection Presentation, January-March 2018 (another example exhibited).
Paris, Fondation Louis Vuitton, Cindy Sherman, September 2020-January 2021, pp. 187 and 237 (another example exhibited and illustrated).
Brought to you by
Kathryn Marber
Specialist, Head of Sale, Post-War to Present