LYNDA BENGLIS (B. 1941)
LYNDA BENGLIS (B. 1941)
LYNDA BENGLIS (B. 1941)
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LYNDA BENGLIS (B. 1941)

Bird's Nest

Details
LYNDA BENGLIS (B. 1941)
Bird's Nest
glazed ceramic
36 ½ x 8 ½ x 8 ½ in. (92.7 x 21.6 x 21.6 cm.)
Executed in 2016. This work is number eleven from an edition of eighteen unique variants plus two artist's proofs.
Provenance
Benefit Print Project, New York
Private collection, New York, 2018
Richard Saltoun Gallery, New York
Andrew Kreps Gallery, New York
Acquired from the above by the present owner
Literature
J. Sjostrom, "Top Artists in Unusual Mediums Shown at Palm Beacher's Whitespace," Palm Beach Daily News, 30 October 2017, digital (another variant mentioned).
D. Miller, "Transition/Transformation: Lynda Benglis's 'Birds of Appetite' and more at the Harwood Museum," Tempo, 7-13 February 2019, pp. 14-15 (other variants illustrated).
I. Machetti, "Outside, Looking In: Richard Saltoun celebrates the role of women in the evolution of abstract art," Fad Magazine, 1 April 2023, digital (another variant illustrated).
Exhibited
West Palm Beach, Whitespace: The Mordes Collection, Paperworks, November 2017-March 2018 (another variant exhibited).
Santa Fe, Peters Projects, Rising Tide: 12 Women Artists, December 2018-March 2019 (another variant exhibited).
Taos, Harwood Museum of Art, Lynda Benglis: Bird's Nest, February-May 2019 (other variants exhibited).
New York, National Arts Club, Benefit Print Project: 10 Years and Counting, March-April 2022.
Naples, Thomas Dane Gallery, A Matter of Life and Death, March-May 2022, n.p. (other variants exhibited and illustrated).
Reading, Freedman Gallery, Albright College, Benefit Print Project: 12 Years of Multiple Making, October-December 2022.
London, The Approach, The sun rises under the pillar of your tongue, January-February 2023 (another variant exhibited).
London, Richard Saltoun Gallery, Outside, lookin in, March-May 2023 (another variant exhibited).
London, Zabludowicz Collection, All Crescendo, No Reward, September-December 2023 (another variant exhibited).

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Kathryn Marber
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