A GEM-SET SWORD (TULWAR)
A GEM-SET SWORD (TULWAR)
A GEM-SET SWORD (TULWAR)
A GEM-SET SWORD (TULWAR)
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ARMS AND ARMOUR FROM THE COLLECTION OF HOWARD RICKETTS
A GEM-SET SWORD (TULWAR)

DECCAN, INDIA, LATE 17TH CENTURY

Details
A GEM-SET SWORD (TULWAR)
DECCAN, INDIA, LATE 17TH CENTURY
The single-edged pattern-welded steel blade with false edge, European-style faux maker’s marks, two fullers along the full length of the blade, and pronounced ricasso, the spine inscribed ‘136’, presumably an inventory mark, the steel hilt of conventional tulwar form with knuckle-guard, entirely overlaid with gold and set with rubies, emeralds and diamonds in floral patterns
35 3/8in. (90cm.) long
Provenance
Danish private collection, from which acquired in 1983
Engraved
On the spine, ‘136’

Brought to you by

Phoebe Jowett Smith
Phoebe Jowett Smith Sale Coordinator & Cataloguer

Lot Essay

The luxurious gem-set hilt of the present sword is constructed in a manner comparable to a hilt in the Royal Collection, Windsor (RCIN 37828). Both hilts are of a ‘tulwar-style’ form, fully overlaid with gold and with kundan-set gemstones arranged in a floral pattern with raised gold stems. The sword in the Royal Collection was presented to Edward VII, when Prince of Wales, on the occasion of his visit to India in 1875-76. As that hilt is fitted with a blade decorated with several images of Sikh Gurus, it has been tentatively attributed to Punjab or Kashmir during the middle of the 19th century. The same attribution seems likely here.

Three-digit inscriptions on the spine are seen on a number of fine sword blades associated with the armoury of the Nawabs of Awadh during the late 18th century. Other blades with such inscriptions include two richly-enamelled swords in the Wallace Collection, London (OA1540 and OA1432; Thom Richardson and Paula Turner (eds.), The Wallace Collection Catalogue of Arms and Armour from Asia, Africa and the Ottoman World, London, 2026, pp.72-3, 109), a sword in the Khalili Collection, London (David Alexander, The Arts of War, London, 1992, pp.139-40), and one exhibited in Copenhagen (Kjeld von Folsach et al., Fighting, Hunting, Impressing, 2021, pp.130-31), inscribed with the numbers ‘338’, ‘539’, ‘335’, and ‘867’, respectively.

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