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The William I. Koch Collection
PAUL CEZANNE (1839-1906)
Tasse, verre et fruits
Details
PAUL CEZANNE (1839-1906)
Tasse, verre et fruits
oil on canvas
16 3⁄8 x 21 5⁄8 in. (41.4 x 55.3 cm.)
Painted circa 1877
Tasse, verre et fruits
oil on canvas
16 3⁄8 x 21 5⁄8 in. (41.4 x 55.3 cm.)
Painted circa 1877
Provenance
Paul Gallimard, Paris (by 1904).
Galerie Paul Cassirer, Berlin and Amsterdam (acquired from the estate of the above, 1929).
Siegfried Kramarsky, Amsterdam and New York (acquired from the above, 1936, then by descent).
Rosenberg & Stiebel, Inc., New York (acquired from the above, 1986).
Acquired from the above by the present owner, 1986.
Galerie Paul Cassirer, Berlin and Amsterdam (acquired from the estate of the above, 1929).
Siegfried Kramarsky, Amsterdam and New York (acquired from the above, 1936, then by descent).
Rosenberg & Stiebel, Inc., New York (acquired from the above, 1986).
Acquired from the above by the present owner, 1986.
Literature
"Französische Meister: Winterausstellung des Rotterdamer Museums" in Die Weltkunst, vol. 8, no. 3, 21 January 1934, p. 2 (illustrated; titled Stilleben).
L. Venturi, Cezanne: Son art, son oeuvre, Paris, 1936, vol. I, no. 186; vol. II, pl. 51 (illustrated; dated 1873-1877).
R. Dunlop, "Modern Still Life Painting in Oils" in The Artist, vol. XIII, no. 6, August 1937, p. 163 (illustrated; titled Nature morte).
J. Rewald, "A propos du catalogue raisonné de l'oeuvre de Paul Cezanne et de la chronologie de cette oeuvre" in La Renaissance, vol. 20, nos. 3-4, March-April 1937, p. 56, no. 319.
I. Dunlop and S. Orienti, The Complete Paintings of Cezanne, New York, 1985, pp. 16 and 94-95, no. 186, pl. VII (illustrated).
J. Rewald, The Paintings of Paul Cezanne: A Catalogue Raisonné, New York, 1996, vol. I, pp. 215-216, no. 319; vol. II, p. 103 (illustrated).
F. Kitschen, ed., Cezanne Manet Schuch: Drei Wege zur autonomen Kunst, exh. cat., Museum für Kunst und Kulturgeschichte, Dortmund, 2000, p. 104, no. 5 (illustrated; dated circa 1876 and titled Stilleben mit Tasse, Glas und Äpfeln).
J. Carlson, ''Bordeaux, Boats and Botero'' in Antiques and Fine Art, summer 2003 (illustrated; dated circa 1873).
W. Feilchenfeldt, By Appointment Only: Cezanne, Van Gogh and Some Secrets of Art Dealing, London, 2006, p. 151.
G.-P. and F. Dauberville, Paul Cezanne chez Bernheim-Jeune, Paris, 2020, pp. 288-289, no. 42bis (illustrated).
W. Feilchenfeldt, J. Warman and D. Nash, eds., The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné (www.cezannecatalogue.com), no. FWN 736 (accessed September 2026; illustrated).
L. Venturi, Cezanne: Son art, son oeuvre, Paris, 1936, vol. I, no. 186; vol. II, pl. 51 (illustrated; dated 1873-1877).
R. Dunlop, "Modern Still Life Painting in Oils" in The Artist, vol. XIII, no. 6, August 1937, p. 163 (illustrated; titled Nature morte).
J. Rewald, "A propos du catalogue raisonné de l'oeuvre de Paul Cezanne et de la chronologie de cette oeuvre" in La Renaissance, vol. 20, nos. 3-4, March-April 1937, p. 56, no. 319.
I. Dunlop and S. Orienti, The Complete Paintings of Cezanne, New York, 1985, pp. 16 and 94-95, no. 186, pl. VII (illustrated).
J. Rewald, The Paintings of Paul Cezanne: A Catalogue Raisonné, New York, 1996, vol. I, pp. 215-216, no. 319; vol. II, p. 103 (illustrated).
F. Kitschen, ed., Cezanne Manet Schuch: Drei Wege zur autonomen Kunst, exh. cat., Museum für Kunst und Kulturgeschichte, Dortmund, 2000, p. 104, no. 5 (illustrated; dated circa 1876 and titled Stilleben mit Tasse, Glas und Äpfeln).
J. Carlson, ''Bordeaux, Boats and Botero'' in Antiques and Fine Art, summer 2003 (illustrated; dated circa 1873).
W. Feilchenfeldt, By Appointment Only: Cezanne, Van Gogh and Some Secrets of Art Dealing, London, 2006, p. 151.
G.-P. and F. Dauberville, Paul Cezanne chez Bernheim-Jeune, Paris, 2020, pp. 288-289, no. 42bis (illustrated).
W. Feilchenfeldt, J. Warman and D. Nash, eds., The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné (www.cezannecatalogue.com), no. FWN 736 (accessed September 2026; illustrated).
Exhibited
Brussels, La Libre Esthétique, Exposition des peintres impressionnistes, February-March 1904, p. 26, no. 15 (titled Nature morte).
Dansk Kunstmuseums Forening Copenhague, Exposition d'art français du XIXe siècle, May-June 1914, p. 19, no. 19 (titled Nature morte).
Rotterdam, Museum Boijmans, Schilderijen van Delacroix tot Cezanne en Vincent van Gogh, December 1933-January 1934, p. 7, no. 1, pl. XXXIII (illustrated; titled Stilleven met appels, kommetje en glas).
Kunsthalle Bern, Französische Meister des 19. Jahrhunderts und Van Gogh, February-April 1934, p. 3, no. 6 (titled Stillleben mit Krug, Tasse und Äpfeln).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Cezanne, July 1935, no. 6 (dated circa 1880 and titled Nature morte).
New York, Bignou Gallery, Cezanne and the Impressionists, November 1935, no. 1 (dated circa 1880 and titled Nature morte).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Corot to Cezanne, June 1936, no. 4 (dated circa 1882 and titled Nature morte).
Amsterdam, Stedelijk Museum, Honderd Jaar Fransche Kunst, July-September 1938, p. 36, no. 14 (illustrated).
Gemeentemuseum den Haag, Paul Cezanne, June-July 1956, no. 13 (illustrated; dated 1873-1877 and titled Stilleven met glas, kop en vruchten).
Aix-en-Provence, Pavillon de Vendôme, Exposition pour commémorer le cinquantenaire de la mort de Cezanne, July-August 1956, no. 14 (illustrated; dated 1875-1876).
Kunsthaus Zürich, Paul Cezanne, August-October 1956, p. 25, no. 23, pl. 7 (illustrated; dated 1873-1877).
New York, The Metropolitan Museum of Art, Paintings from Private Collections: Summer Loan Exhibition, summer 1958, p. 2, no. 24 (titled Still Life: Glass, Cup and Fruit).
New York, The Metropolitan Museum of Art, Paintings from Private Collections: Summer Loan Exhibition, July-September 1960, p. 2, no. 16 (titled Still Life: Glass, Cup and Fruit).
The Hague, Mauritshuis and Paris, Musée de l’Orangerie, Cinq siècles de peinture: Dans la lumière de Vermeer, June-November 1966, no. 47 (The Hague, illustrated; dated circa 1873-1877 and titled Stilleven met glas, kop en vruchten); no. 49 (Paris, illustrated; dated circa 1873-1877 and titled Nature morte).
Wichita Art Museum, European and American Masterpieces from the William I. Koch Collection, September-November 1992.
Wichita Art Museum, A Personal Gathering: Paintings and Sculpture from the Collection of William I. Koch, February-May 1996, pp. 94-95 (illustrated; dated circa 1873).
Boston, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August-November 2005, pp. 52-53 (illustrated).
Dansk Kunstmuseums Forening Copenhague, Exposition d'art français du XIXe siècle, May-June 1914, p. 19, no. 19 (titled Nature morte).
Rotterdam, Museum Boijmans, Schilderijen van Delacroix tot Cezanne en Vincent van Gogh, December 1933-January 1934, p. 7, no. 1, pl. XXXIII (illustrated; titled Stilleven met appels, kommetje en glas).
Kunsthalle Bern, Französische Meister des 19. Jahrhunderts und Van Gogh, February-April 1934, p. 3, no. 6 (titled Stillleben mit Krug, Tasse und Äpfeln).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Cezanne, July 1935, no. 6 (dated circa 1880 and titled Nature morte).
New York, Bignou Gallery, Cezanne and the Impressionists, November 1935, no. 1 (dated circa 1880 and titled Nature morte).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Corot to Cezanne, June 1936, no. 4 (dated circa 1882 and titled Nature morte).
Amsterdam, Stedelijk Museum, Honderd Jaar Fransche Kunst, July-September 1938, p. 36, no. 14 (illustrated).
Gemeentemuseum den Haag, Paul Cezanne, June-July 1956, no. 13 (illustrated; dated 1873-1877 and titled Stilleven met glas, kop en vruchten).
Aix-en-Provence, Pavillon de Vendôme, Exposition pour commémorer le cinquantenaire de la mort de Cezanne, July-August 1956, no. 14 (illustrated; dated 1875-1876).
Kunsthaus Zürich, Paul Cezanne, August-October 1956, p. 25, no. 23, pl. 7 (illustrated; dated 1873-1877).
New York, The Metropolitan Museum of Art, Paintings from Private Collections: Summer Loan Exhibition, summer 1958, p. 2, no. 24 (titled Still Life: Glass, Cup and Fruit).
New York, The Metropolitan Museum of Art, Paintings from Private Collections: Summer Loan Exhibition, July-September 1960, p. 2, no. 16 (titled Still Life: Glass, Cup and Fruit).
The Hague, Mauritshuis and Paris, Musée de l’Orangerie, Cinq siècles de peinture: Dans la lumière de Vermeer, June-November 1966, no. 47 (The Hague, illustrated; dated circa 1873-1877 and titled Stilleven met glas, kop en vruchten); no. 49 (Paris, illustrated; dated circa 1873-1877 and titled Nature morte).
Wichita Art Museum, European and American Masterpieces from the William I. Koch Collection, September-November 1992.
Wichita Art Museum, A Personal Gathering: Paintings and Sculpture from the Collection of William I. Koch, February-May 1996, pp. 94-95 (illustrated; dated circa 1873).
Boston, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August-November 2005, pp. 52-53 (illustrated).
Brought to you by
Paige Kestenman
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale