A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE
A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE
A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE
1 More
A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE
4 More
FROM THE COLLECTION OF BARON MAXIMILIEN VON GOLDSCHMIDT-ROTHSCHILD
A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE

MARK OF LOUIS PICASSE, PARIS, 1746

Details
A LOUIS XV GOLD-MOUNTED JAPANESE LACQUER AIDE-MÉMOIRE
MARK OF LOUIS PICASSE, PARIS, 1746
Each side set with a lacquer panel of gold, red and grey hiramakie flower bouquet on a dark ground, the gold cagework chased with foliage and flowerheads, set inside the covers with two miniatures, one on vellum depicting mourning putti surrounding a sarcophagus hung with garlands, the other side with a miniature on ivory after Domenicho Zampieri's 'the Cumanean Sibyl' of 1622, applied on rims with lugs fitted with a gold pencil, marked inside the binding: charge, date-letter (F) and maker; on pencil: maker and decharge; with notebook inside with various inscriptions including one dated April 1833 and one 1 January 1874
4 in. (10 cm.) long
gross weight 4 oz. 1 dwt. (126 gr.)
Provenance
Baron Maximilien von Goldschmidt-Rothschild (1843-1940), Frankfurt-am-Main, then by descent to,Baron Erich von Goldschmidt-Rothschild (1894–1987) and Baronne Renée de Becker (born Renée Eléonore Juliette de Lambert, 1903–1987).
The late Baron Maximilien de Goldschmidt-Rothschild and the Baronne de Becker; Sotheby's, Monte Carlo, 30 November 1975, lot 113.
with S. J. Phillips Ltd., London.
Acquired from the above by the Blaquier-Arrieta Family.
Literature
COMPARATIVE LITERATURE:
H. Williams, The David & Mikhail Iakobachvili Collection, Snuffboxes: Compendium, Monaco, 2026, p. 141.

Brought to you by

Charlotte Young
Charlotte Young Associate Director, Specialist

Lot Essay

Louis Picasse was able to register his maker’s mark in 1745 by virtue of the training he had received at the Gobelins Manufactory, under the sponsorship of Michel-Robert Hallet, surintendant des Bâtiments at the Gobelins and orfèvre du Roi. Picasse was a prolific goldsmith who consistently submitted large quantities of gold for assay, as evidenced by the Registre de la Ferme Générale from 1750 onwards. In common with his contemporaries, such as Jean Ducrollay, Picasse also worked with alternatives materials such as lacquer in response to the taste of the time.

For another lot by this maker see lot 29 offered in Part I of the collection.

More from The Blaquier-Arrieta Collection, Part II

View All
View All