Details
A YELLOW JADE MYTHICAL BEAST
MING DYNASTY

The recumbent beast carved in the round with head raised to the left, the muzzle, spine and tail incised with naturalistic fur, each shoulder with a foliate scroll in low-relief, the underside carved with undulating curves and a tear-shaped pad incised to each paw, the stone of even yellow tone with russet-brown striations and some pale fibrous inclusions, with a fine smooth polish
4 1/4in. (10.8cm.) long, stand, box
Literature
Cardeiro 'Chinese Jade, the Image from Within', fig. 3
Wu Hung, 'Tradition and Innovations, Ancient Chinese Jades in the Gerald Godfrey Collection', fig. 10
Exhibited
Pacific Asia Museum, 1986, Catalogue, no. 64
San Antonio Museum of Art, 1986
The Dayton Art Institute, 1989, no. 232
Palm Springs Desert Museum, Catalogue, no. 96

Lot Essay

Wu Hung, op. cit., comments on the composite style of this lively animal which he describes as having a dragon's body, a lion's tail and a bear-like head, with "an almost child-like expresion".

Another mythical animal carved in a very similar style and from a similar stone is described by Watt in Chinese Jades from Han to Ch'ing Catalogue, no.49, and illustrated in colour. He refers to the "soft texture and warm tone of the yellow jade, together with the plastic qualities of the carving, making this piece especially attractive to the lover of jade". The same qualities can be found in the supple rendition of the Godfrey beast. The knobbed spine and softly rounded features distinguish both pieces. Watt also notes that yellow jades were popular in the Yuan and Ming dynasties primarily in the 14th-15th centuries. Specific examples of Ming literati preference for yellow jade can be found in the writings of both Gao Lian and Xie Zhaozhe.

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