Details
A CELADON JADE FROG
17TH CENTURY

The frog carved in the round crouching on all fours, its head turned slightly to the left and with large bulging eyes, the underside carved with four large webbed feet, the stone of deep celadon tone with small russet brown patches and a smooth even polish
2 3/4in. (7cm.) long, box
Exhibited
Pacific Asia Museum, 1986, Catalogue, no. 228
San Antonio Museum of Art, 1986
The Dayton Art Institute, 1989, no. 197
Palm Springs Desert Museum, 1990, Catalogue, no. 102

Lot Essay

Watt writing in Chinese Jades from Han to Ch'ing no. 59, discusses the origin of the fashion for jade toads amongst Ming dynasty literati, a trend which he attributes to the toad's connection with popular Daoism.
Seven Ming dynsty jade frogs in the Rietburh Museum are illustrated in Chinese Jade, no. 179, through no. 185. By comparison the Godfrey frog is more realistically carved, although sharing the same stylistic conventions of carving.

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