Details
A WHITE JADE DOE
18TH CENTURY

The recumbent doe with head up and turned to the right, its ears pricked, its spine and tail marked with light incisions, the left leg raised, the underside carved with the legs in low relief, the stone of pale tones with the tips of the ears using two small areas of russet skin, with a smooth polish
2 3/4in. (7cm.) long, box
Literature
Kelley, 'Highlights of the Gerald Godfrey Jade Collection', fig. 14
Exhibited
Pacific Asia Museum, 1986, Catalogue no. 152
San Antonio Museum of Art, 1986
The Dayton Art Institute, 1989, no. 165

Lot Essay

Cf. a group of such animals currently on display at the National Palace Museum, Taibei, included in the exhibition of Curio Cabinets and Miniatures.

The carving and form of this deer can be compared with the subtle nuance of Northern Song animal carvings, notably a white jade lingzhi-horned recumbent deer illustrated in Zhonggu Yuqi Quanji, vol. 5, no. 123. This deer, however, is a Qing dynasty piece almost certainly from Suzhou where the craftsmen were well-known for carving jade animals which frequently incorporated traces of the russet pebble skin into their composition.

For another example of a white and russet jade carving typical of the Suzhou workshops see Chinese Jade Carving, no. 284, a frog and two pomegranates.

Another doe that is comparable for the simple but elegant carving and posture, recumbent with one leg raised, also for the incised lines along the spine is illustrated in Anthology of Chinese Art, Catalogue, 215.

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