Lot Essay
PUBLISHED:
The first, George Kuwayama, Contemporary Japanese Prints (Los Angeles: Los Angeles County Museum of Art, 1972), no. 10, p. 35.
For other impressions of the first see Oliver Statler, Modern Japanese Prints: An Art Reborn (Rutland, Vt. and Tokyo: Charles E. Tuttle Co., 1980), pl. 22; Maekawa Sempan meisakuten/Exhibition of Prints by Sempan Maekawa (Tokyo: Riccar Art Museum, 1977), no. 325.; and of the third Lawrence Smith, Modern Japanese Prints 1912-1989 (London: British Museum Press, 1994), pl. 85.
The first, George Kuwayama, Contemporary Japanese Prints (Los Angeles: Los Angeles County Museum of Art, 1972), no. 10, p. 35.
For other impressions of the first see Oliver Statler, Modern Japanese Prints: An Art Reborn (Rutland, Vt. and Tokyo: Charles E. Tuttle Co., 1980), pl. 22; Maekawa Sempan meisakuten/Exhibition of Prints by Sempan Maekawa (Tokyo: Riccar Art Museum, 1977), no. 325.; and of the third Lawrence Smith, Modern Japanese Prints 1912-1989 (London: British Museum Press, 1994), pl. 85.