Remedios Varo (1908-1963)

Mi generalito (Le Marquis de la Contre-Croupe)

Details
Remedios Varo (1908-1963)
Mi generalito (Le Marquis de la Contre-Croupe)
signed 'R. Varo' lower right
oil on masonite
22 x 15in. (56.5 x 40cm.)
Painted in 1959
Provenance
Miguel Alemn Velasco, Mexico City
Literature
R. Ovalle, W. Gruen, A. Blanco, T. del Conde, S. Grimberg, J. A. Kaplan, Remedios Varo-Catlogo Razonado, Ediciones Era, Mexico City, 1994, p. 176, n. 264 (illustrated in color)
Exhibited
Mexico City, Museo de Arte Moderno, De Remedios Varo 1913-1963, Aug., 1983, n. 48
Mexico City, Museo de Arte Moderno, La mujer como creadora y tema del arte, Ao Internacional de la Mujer, June 1975, n. 29
Madrid, Fundacin Banco Exterior Sala de Exposiciones, Remedios Varo, Nov. 1988-Jan. 1989, p. 51 (illustrated in color)
Mexico City, Museo de Arte Moderno, Sala Carlos Pellicer, Remedios Varo 1908-1963, Feb.-June, 1994, n. 123 (illustrated)
Santa Fe de Bogot, Banco de la Repblica Biblioteca Luis Angel Arango, Remedios Varo, June-Sept., 1997, n.n. (illustrated in color). This exhibition later traveled to Mexico City, Galera Enrique Guerrero, Oct. - Nov. 1997

Lot Essay

Following the surrealistic technique of frottage and blotting, Varo's backgrounds appear accidental, yet they merely serve as the starting point from which she elaborates highly detailed and controlled images, ones that constantly question her existence. Active and well versed on subjects such as psychoanalysis, alchemy, science and other esoteric practices, Varo repeatedly brings into question the human existence through her art. At times autobiographical, at times purely imaginative, the disquieting images of her work have the power to synthesize beyond what understanding can know, the magical world of dreams.

Mi generalito has a semi-veiled image of a figure, dressed in a magician's tunic--yet decorated with medals and followed by a stream of fleurs de lys, dominating the composition. He is about to walk into the wilderness, observed, by a figure, depicted within an elaborate frame which may be that of a mirror or a portrait painting. A ghost-like mirror image of the generalito, above him, emanating from the ceiling, is also present. Within the context of Varo's work, both these reflections can be associated with the power of reflection as a tool to discover the self.

This painting has been promised on loan to the retrospective exhibition of the artist currently being organized in Tokyo.