CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN
(LEIDEN 1606-1669 AMSTERDAM)
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN
(LEIDEN 1606-1669 AMSTERDAM)
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN
(LEIDEN 1606-1669 AMSTERDAM)
4 More
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN
(LEIDEN 1606-1669 AMSTERDAM)
7 More
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN(Leiden 1606-1669 Amsterdam)

Joseph weeping in his room, his brothers beyond

Details
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN
(Leiden 1606-1669 Amsterdam)
Joseph weeping in his room, his brothers beyond
oil on canvas
51 5⁄8 x 40 ¾ in. (131.1 x 103.5 cm.)
Sold with Vendramini's original engraver's plate.
Provenance
Horatio Walpole, 3rd Earl of Orford (1783-1858), Wolterton Hall, Norfolk; Christie's, London, 26 June 1856 (=3rd day), lot 268, as 'Rembrandt' (140 gns. to Mrs Walpole).
Anonymous sale [Property of a Nobleman]; Christie's, London, 16 December 1998, lot 121, as 'Attributed to Aert de Gelder', where acquired by the present owner.
Engraved
G. Vendramini (1769-1839).

Brought to you by

Alastair Plumb
Alastair Plumb Senior Specialist, Head of Sale, European Art

Lot Essay

The Biblical episode depicted here is recounted in the Book of Genesis. Joseph, the elder of two sons of Jacob and Rachel and his father’s favourite, had been sold into slavery in Egypt by his jealous brothers. Following a period of incarceration, Pharaoh freed Joseph because he correctly interpreted Pharaoh’s dreams, and named him Vizier of Egypt. Due to his forward-thinking preparations, Joseph went on to save the people of Egypt in a period of famine. In an effort to escape the famine themselves, Joseph’s brothers travelled to Egypt in search of bread. They failed to recognise Joseph, who accused them of being spies and placed them in prison for three days. Upon releasing them, Joseph tested his brothers by asking that the youngest brother be brought to him. Understanding their remorse for the wrong they had perpetuated against him, Joseph took leave because he was overwhelmed with emotion. After composing himself, Joseph took his brother Simeon as a hostage and loaded his brothers’ donkeys with provisions to take back to Canaan, an episode which can be seen through the open doorway in the painting’s background.

The attribution of this painting has been the source of scholarly debate. While the painting's quality has long been recognised - when it appeared in the 1856 sale of the 3rd Earl of Orford, it was rather optimistically given to Rembrandt - there has been no consensus as to its authorship. Recent suggestions have included attributions to several artists working in Rembrandt's orbit from the 1640s on, including Aert de Gelder, Jan Victors, Cornelis Bisschop and Gottfried Kneller.

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