DAVID SHEPHERD (BRITISH, 1931-2017)
DAVID SHEPHERD (BRITISH, 1931-2017)
DAVID SHEPHERD (BRITISH, 1931-2017)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more
DAVID SHEPHERD (BRITISH, 1931-2017)

Ahmed of Marsabit

Details
DAVID SHEPHERD (BRITISH, 1931-2017)
Ahmed of Marsabit
signed and dated '- David Shepherd - '71' (lower right) and inscribed ' "Ahmed of Marsabit" ' (lower left)
oil on canvas
26 x 50 in. (66 x 127 cm.)
Provenance
with The Tryon Gallery, London.
Private Collection, UK.
Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Please note that at our discretion some lots may be moved immediately after the sale to our storage facility at Momart Logistics Warehouse: Units 9-12, E10 Enterprise Park, Argall Way, Leyton, London E10 7DQ. At King Street lots are available for collection on any weekday, 9.00 am to 4.30 pm. Collection from Momart is strictly by appointment only. We advise that you inform the sale administrator at least 48 hours in advance of collection so that they can arrange with Momart. However, if you need to contact Momart directly: Tel: +44 (0)20 7426 3000 email: pcandauctionteam@momart.co.uk.

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Sarah Reynolds
Sarah Reynolds Specialist, Head of Sale

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Lot Essay


An icon in the 1960s and 70s, Ahmed roamed the forests of the Marsabit National Reserve in Kenya, where his tusks were presumed to be the longest and heaviest in Africa.
Legends surrounded him, including a tale that his tusks were so long that he had to walk up hills backwards. As such he was at huge risk from poachers. Wherever Ahmed went he was protected by two smaller bull elephants, acting almost as bodyguards, guarding him and charging at any potential threat. Ahmed's notoriety grew after he featured in three documentary films in 1970 which led to an international letter-writing campaign by schoolchildren to Kenya's first president, Jomo Kenyetta, asking him to protect the great mammal. Kenyetta responded rapidly, declaring Ahmed a living monument and granting the elephant presidential protection: five armed rangers were appointed to guard him round the clock.
This solution proved immensely successful. When Ahmed finally passed away from natural causes four years later, it was estimated from the weight of his enormous tusks that he was at least 65 years and, from the antique Martini-Henry bullets found during his autopsy, that his life had been at risk since his birth in 1919.
Shepherd's majestic portrayal of Ahmed was painted in 1971 at the height of his fame when his name would have resonated around the world as an emblem of man's relationship with the elephant: both as threat and protector.
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