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Domenico Tintoretto (Venice 1560-1635)
This lot will be transfered to an offsite warehous… Read more PROPERTY FROM A GERMAN CORPORATE COLLECTION (LOTS 84-89, 231, 237)
Domenico Tintoretto (Venice 1560-1635)

Portrait of a Venetian Senator, three-quarter length, in a red ermine-lined robe standing by a window with a mountainous landscape beyond

Details
Domenico Tintoretto (Venice 1560-1635)
Portrait of a Venetian Senator, three-quarter length, in a red ermine-lined robe standing by a window with a mountainous landscape beyond
oil on canvas
110 x 94 cm.
Provenance
Collection Geheimrat L. Koppel, Berin, by 1909.
With X. Scheidwimmer, Munich, where acquired in 1953 by the present owners as Jacopo Tintoretto.
Exhibited
Berlin, Königliche Kunstakademie, Ausstellung von Bildnissen des fünfzehnten bis achtzehnten Jahrhunderts aus dem Privatbesitz der Mitglieder des Vereins, 31 March – 30 April 1909, p. 11, no. 117/8 (as one of a pair).
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This lot will be transfered to an offsite warehouse at the close of business on the day of the sale. We give you two weeks free storage, after which charges begin.

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Kimberley Oldenburg
Kimberley Oldenburg

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Lot Essay

This striking portrait of a Venetian Senator has been considered by Roberto Contini as one of the most beautiful portraits by Domenico Tintoretto (written communication to the owner, 5 March 2002). According to Contini the portrait is close in style to Domenico’s pair of group portraits of circa 1591, showing the members of the Scuola dei Mercanti (Accademia, Venice). He has pointed out that the sitter of the present painting might be identical with the sitter in the pendant with figures facing left, in the highest row on the left side. Domenico’s beautiful portrait of Giovanni Paolo Contarini, sold with Christie’s New York, 4 July 2014, lot 18 ($ 173,000) is stylistically comparable to the present painting.
The son of Jacopo Tintoretto, Domenico Tintoretto trained in his father's studio and entered the Venetian painters' guild aged only seventeen. He assisted his father on prestigious projects but soon undertook independent commissions, for the Doge's Palace, various Venetian scuole and local churches such as San Giorgio Maggiore. Although an able history painter, Domenico became particularly sought after for his portraits: He recorded the features of the most important individuals of his day, from Margaret of Austria, later Queen of Spain, to Vincenzo I Gonzaga, 4th Duke of Mantua.

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