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Edouard Vuillard (1868-1940)
Edouard Vuillard (1868-1940)
Edouard Vuillard (1868-1940)
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Edouard Vuillard (1868-1940)
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On occasion, Christie's has a direct financial int… Read more The Cox Collection: The Story of Impressionism
EDOUARD VUILLARD (1868-1940)

Jane Renouardt

Details
EDOUARD VUILLARD (1868-1940)
Jane Renouardt
signed 'E Vuillard' (lower left)
oil on canvas
51 ¼ x 38 5/8 in. (130.1 x 98.5 cm.)
Painted in 1926-1927
Provenance
Jane Renouardt, Saint-Cloud (commissioned from the artist, 13 July 1927); Estate sale, Palais Galliéra, Paris, 2 June 1972, lot 31.
Wildenstein & Co. Inc., New York (acquired at the above sale).
Acquired from the above by the late owner, 23 January 2004.
Literature
L. Dordoré, "D'Ingres à Picasso" in L'amour de l'art, June 1928, vol. IX, no. 7, p. 262 (illustrated).
A. Alexandre, "Portraits et figures de femmes: Ingres à Picasso" in La renaissance de l'art français, July 1928, vol. XI, no. 7, p. 264, no. 177 (illustrated, p. 283).
G.J. Gros, "Les grands collectionneurs, Jane Renouardt" in L'art vivant, 1 July 1928, p. 930, no. 85 (illustrated, pp. 510 and 931).
Le Figaro, supplément artistique hebdomadaire, 7 March 1929, no. 223 (illustrated on the cover).
R. Rey, "Le nouveau Musée du Luxembourg" in Bulletin des musées de France, March 1929, vol. I, no. 3, p. 44 (illustrated, p. 43).
R. Rey, "Musée du Luxembourg, le portrait de Romain Coolus par Édouard Vuillard" in Bulletin des Musées de France, May 1930, vol. II, no. 5, p. 101.
J. Salomon, Vuillard: Temoignage de Jacques Salomon, Paris, 1945, pp. 68 and 143-144, note 12.
C. Roger-Marx, Vuillard et son temps, Paris, 1946, p. 94 (illustrated, p. 103).
G. Charensol, "Vuillard" in Médecines et peintures: Vuillard, Paris, 1955, no. 76 (illustrated, pl. III).
J. Salomon, Vuillard admiré, Paris, 1961, p. 160 (illustrated in color, p. 161).
P. Cabanne, Lecture pour tous, January 1964, no. 121, p. 85.
J. Salomon, Vuillard, Paris, 1968, pp. 159 and 219 (illustrated in color, p. 158).
P. Ciaffa, The Portraits of Edouard Vuillard, Ph.D. diss., Columbia University, New York, 1985, vol. II, pp. 305-306 (illustrated, fig. 166).
S. Day, "Villa Renouardt, Saint-Cloud" in Louis-Süe, architectures, Liège, 1986, p. 130 (illustrated).
J.-P. Bouillon, Journal de l'art déco, 1903-1940, Geneva, 1988, p. 193 (illustrated, p. 194).
A. Dumas and G. Cogeval, Vuillard, exh. cat., Musée des Beaux-Arts, Lyon, 1990, pp. 178 and 190 (illustrated in color, p. 117).
G. Cogeval, Vuillard: Post-Impressionist Master, New York, 2002, p. 109 (illustrated in color).
B. Thomson, "Exhibition Reviews: Edouard Vuillard, Washington" in Burlington Magazine, April 2003, vol. CXLV, no. 1201, p. 316.
J. Claire, "Visite à Vuillard" in L'Oeil, September 2003, no. 550, p. 47.
G. Groom, "La modernite à pas feutrés" in Dossiers de l'art, hors série, October 2003, no. 100, p. 63 (illustrated in color, p. 62).
A. Salomon and G. Cogeval, Vuillard, Le regard innombrable: Catalogue critique des peintures et pastels, Paris, 2003, vol. II, p. 1122 and vol. III, pp.1298, 1440-1441 and 1516, no. XI-258 (illustrated in color, p. 1440; detail illustrated in color on the cover and p. 1294).
Exhibited
Paris, Galerie La Renaissance, Portraits et figures de femmes: Ingres à Picasso, June 1928, p. 26, no. 177.
Paris, Musée National du Luxembourg (on extended loan, 1929-1972).
Paris, Musée National du Luxembourg, Exposition inaugurale des salles nouvelles et réorganisées, March 1929, p. 31, no. 7.
Paris, Musée National du Luxembourg, Peinture française, June 1933, no. 66.
Paris, Galerie Charpentier, Cent portraits de femmes du XVe siècle à nos jours, 1950, no. 98a.
Tokyo, Seibu Museum of Art, Vuillard, August-September 1977, no. 44 (illustrated in color).
New York, The Metropolitan Museum of Art, Yves Saint Laurent, December 1983-September 1984, p. 16.
New York, The Frick Collection, Ingres and the Comtesse d'Haussonville, November 1985-February 1986, pp. 121 and 123, no. 115 (illustrated, p. 123, fig. 109).
Montreal, Musée des Beaux-Arts, The Time of the Nabis, August-November 1998, p. 73, no. 194 (illustrated in color, p. 85).
Washington, D.C., National Gallery of Art; The Montreal Museum of Fine Arts; Paris, Galeries Nationales du Grand Palais and London, Royal Academy of Arts, Edouard Vuillard, January 2003-April 2004, pp. 357 and 365, no. 319 (illustrated, p. 387).
Special Notice

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

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