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Floris Arntzenius (Surabaya 1864-1925 The Hague)
Floris Arntzenius (Surabaya 1864-1925 The Hague)

De Spuistraat met gezicht naar het Plein te 's Gravenhage: the Spuistraat with a view of the Plein, The Hague

Details
Floris Arntzenius (Surabaya 1864-1925 The Hague)
De Spuistraat met gezicht naar het Plein te 's Gravenhage: the Spuistraat with a view of the Plein, The Hague
signed 'Fl. Arntzenius' (lower left); and inscribed with title (on a label attached to the reverse)
oil on canvas
56.5 x 46.5 cm.
Provenance
Anonymous sale; Venduhuis, The Hague, 1 July 1942, lot 31.
Anonymous sale; Sotheby's, Amsterdam, 14 April 1992, lot 26.
Anonymous sale; Christie's, Amsterdam, 24 October 2000, lot 169.
with Kunstgalerij Albricht, Oosterbeek, where acquired by the present owner.

Brought to you by

Kimberley Oldenburg
Kimberley Oldenburg

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Lot Essay

After his formal training and an additional year at the Academy of Antwerp, Arntzenius moved to Amsterdam which was considered to be the artistic centre of The Netherlands in the last decade of the 19th Century. At the Rijksacademie in Amsterdam he worked among painters such as Willem Witsen (1860-1923), Isaac Israels (1865-1934) and George Hendrik Breitner (1857-1923). Their unfolding impressionistic style was highly admired by Arntzenius and would leave a lasting impression on his own work. In 1892 he moved back to The Hague, were he would remain for the rest of his life and developed his famous city scenes. Like The Hague School painters, Arntzenius was a master in capturing light and atmosphere. He preferred painting the busy city streets to the Dutch landscape which the older generation had chosen. At that time the established painters of the first generation of The Hague School, like Jozef Israels and Hendrik Willem Mesdag, dominated artistic life in The Hague. During his time in The Hague, Arntzenius became a representative of the younger generation of The Hague School.

Arntzenius' paintings reflect the sophisticated atmosphere of The Hague around the turn of the century. He gave preference to modest sized canvases, emphasizing the intimate character of streets such as the Spui or the Wagenstraat, with figures hurrying over the wet and shiny asphalt past illuminated shop windows and colourful sign-boards. He loved to work outside in the streets and make sketches and studies of various streets in The Hague - which delivered him the nickname of: 'Straatjesschilder'. The present lot, A view of the Spuistraat, is a beautiful example of the streets in The Hague where Arntzenius was known for. Arntzenius captures the light and atmosphere of a rainy day with a variety of figures, and the dynamic representation of the buildings, are all instrumental in creating a beautifully balanced composition.

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