JOHN CONSTABLE, R.A. (EAST BERGHOLT 1776-1837 HAMPSTEAD)
JOHN CONSTABLE, R.A. (EAST BERGHOLT 1776-1837 HAMPSTEAD)
JOHN CONSTABLE, R.A. (EAST BERGHOLT 1776-1837 HAMPSTEAD)
2 More
JOHN CONSTABLE, R.A. (EAST BERGHOLT 1776-1837 HAMPSTEAD)

West Lodge, East Bergholt, with a hatchment

Details
JOHN CONSTABLE, R.A. (EAST BERGHOLT 1776-1837 HAMPSTEAD)
West Lodge, East Bergholt, with a hatchment
oil on canvas
16 7⁄8 x 13 ¾ in. (42.9 x 34.9 cm.)
Provenance
(Probably) The artist’s sale (†); Foster & Sons, London, 16 May 1838 (=2nd day), lot 3 (part lot), as 'an Exterior of a Country Mansion, with a Hatchment', where probably acquired by the following,
with John Smith & Son, 137 New Bond Street, London.
Charles Robert Leslie (1794-1859); his sale (†), Foster's, London, 25 April 1860 (=1st day), lot 87, as 'House, with a hatchment, surrounded by Trees', where possibly acquired by T. Rought.
Anonymous sale [The Property of a Gentleman]; Sotheby's, London, 23 November 1977, lot 130.
with Hall Antiques and Amadeus Gallery, Woodstock, Oxford, where acquired by the present owner.
Literature
R. Hoozee, L'opera completa di Constable, Milan, 1979, p. 102, no. 163, illustrated.
L. Parris, The Tate Gallery Constable Collection, London, 1981, p. 46, under no. 6.
L. Parris and I. Fleming-Williams, Constable, exhibition catalogue, London, 1991, p. 98, under no. 31.
G. Reynolds, The Early Paintings and Drawings of John Constable, New Haven and London, 1996, I, pp. 170 and 171, no. 12.28; II, pl. 951.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


This atmospheric upright landscape is one of a group of deeply personal works in which Constable chronicled changes in his native village of East Bergholt, Suffolk. The painting shows West Lodge, one of the village’s principal houses located directly opposite the Constable house on Church Street, which appears in several of the artist's works. What sets this painting apart is the specific event that it commemorates: the death of Sarah Roberts, a close friend and neighbour of the Constable family. In December 1811, Constable’s mother, Ann, wrote to him explaining that ‘Dunthorne has completed his achievement and exceeding well done indeed.’ The aforementioned ‘achievement’ was the armorial hatchment that was set up above the front door of West Lodge following Sarah's passing, painted by local artist John Dunthorne senior. As was custom in the early nineteenth century, the hatchment remained in place for six months following her death; Constable, writing to Maria Bicknell, remarked that it 'gave the house a melancholy aspect'.

Sarah Roberts was a fixture in Constable’s early life, having moved to East Bergholt with her husband Philip in about 1756. She was held in high regard by the community and was evidently a close friend of the Constable family appearing frequently in Ann's letters to her son. In August 1809 Ann reported, ‘Mrs Roberts poorly – she says she always thinks of you, at the setting sun, thro’ her trees.'

Constable famously observed to his friend and patron, John Fisher, ‘I should paint my own places best - painting is but another word for feeling.’ The sentiment is made manifest here; the present work, with its brooding atmosphere and sense of loss, reveals the emotional undercurrents that often animated Constable’s work, and is set within view of the family's own front door. Executed with characteristic fluency, the scene transcends mere observation. Its melancholy is intentional and deeply felt, offering a rare glimpse into Constable's engagement with place and memory.

For the letters cited, see R.B. Beckett, ed., John Constable’s Correspondence, Ipswich, 1964.

More from Old Masters to Modern Day Sale: Paintings, Drawings, Sculpture

View All
View All