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Maurice Utrillo (1883-1955)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM A PRIVATE COLLECTION 
Maurice Utrillo (1883-1955)

Le maquis de Montmartre

Details
Maurice Utrillo (1883-1955)
Le maquis de Montmartre
signed 'Maurice Utrillo, V,' (lower right); inscribed 'Montmartre,-' (lower left)
oil on canvas
45 x 77 in. (114.3 x 195.6 cm.)
Painted circa 1931
Provenance
Galerie Bernheim-Jeune, Paris.
Edgardo Acosta Gallery, Beverly Hills.
Private Collection, Beverly Hills; sale, Sotheby's, New York 9 May 9, 2007, lot 406.
Acquired at the above sale by the present owner.
Literature
Paul Pétridès, L'Œuvre complet de Maurice Utrillo, vol. III, Paris, 1969, no. 1356, p. 42 (illustrated p. 43).
Exhibited
Paris, Galerie Charpentier, Cent tableaux par Utrillo, 1959.
Tokyo, Central Museum, Utrillo: 149 toiles, gouaches et dessins de 1904 à 1952, March - May 1967, no. 63; this exhibition later travelled to Kyoto, Museum of Art, May - June 1967, Fukuoka, Museum of Culture, June - July 1967 and Nagoya, Museum of Art, July 1967.
Tokyo, Daimaru Museum, Maurice Utrillo, September 1992, no. 56; this exhibition later travelled to Kyoto, Daimaru Museum, September - October 1992, Osaka, Daimaru Museum, October 1992, Shimonoseki, Daimaru Bunka Hall, October - November 1992 and Onomichi, Municipal Museum, November - December 1992.
Special Notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Adrienne Everwijn-Dumas
Adrienne Everwijn-Dumas

Lot Essay

Jean Fabris has confirmed the authenticity of this work.

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