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Ron Arad (b. 1951)
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Ron Arad (b. 1951)

Big Easy Volume II

Details
Ron Arad (b. 1951)
Big Easy Volume II
blackened mild steel with polished stainless steel welds
38 x 59 x 39½in. (96.5 x 150 x 100cm.)
Designed in 1988, executed by One Off Ltd., London, this work is from an edition of twenty
Literature
D. Sudjic, Ron Arad, London 1999 (other examples illustrated, pp. 54-57).
Special notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Sale room notice
Please note this lot is not subject to Artists Resale Right (Droit De Suite) and should not be marked with a lambda symbol in the sale catalogue.

Lot Essay

Begun in 1988, Ron Arad's Volume series developed from his mischievous exploration of the opposing concepts of empty and full, soft and hard, and light and heavy. Using sheet steel cut from a flat pattern and beaten and welded by hand, the Big Easy represented a mechanical and visual departure from Arad's earlier experiments and established his highly idiosyncratic design language.
The evolving series of Volumetric chairs began in 1986, when Arad was commissioned by the Swiss furniture manufacturer, Vitra, to create the 'Well-Tempered Chair', intended for serial production. This early design exploited the naturally-sprung properties of sheet steel to create a seat whose outline was suggestive of a traditionally upholstered lounge chair. The Volume series of two years later, produced at Arad's London workshop One Off Ltd., dispensed with any illusionary comfort, and proposed instead the hazy hand-beaten impression of a chair, the free-hand form of which was delineated by the sketchily outlined seams, ensuring that no two chairs were created alike.
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