Thomas Struth (b. 1954)
Thomas Struth (b. 1954)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM A PRIVATE INTERNATIONAL COLLECTION
Thomas Struth (b. 1954)

Louvre IV, Paris 1989

Details
Thomas Struth (b. 1954)
Louvre IV, Paris 1989
signed, titled, numbered and dated ‘Musée du Louvre 4 Paris 1989 3/10 1990 Thomas Struth’ (on the reverse)
c-print in artist's frame
image: 52 7/8 x 68in. (136.9 x 172.6cm.)
overall: 73 ¾ x 86 ¾in. (187.2 x 220.3cm.)
Executed in 1989-1990, this work is number three from an edition of ten
Provenance
Marian Goodman Gallery, New York.
Acquired from the above by the present owner in 1994.
Literature
'The Frame of Reference: At the Hirshhorn, Struth's Watchful Photos', The Washington Post, 1992, p. B2.
V. Grosenick and B. riemschneider, Art at the Turn of the Millenium, Cologne 1999, p. 486 (another fro the edition illustrated).
H. Belting, W. Grasskamp and C. Seidel, Museum Photographs: Thomas Struth, Munich 2005 (another from the edition illustrate in colour, p. 27)
Exhibited
New York, Marian Goodman Gallery, Thomas Struth, 1990 (another from the edition exhibited).
Washington D.C., Hirshhorn Museum and Sculpture Garden, Directions - Thomas Struth: Museum Photographs, 1992 (another form the edition exhibited).
Hamburg, Kunsthalle, Thomas Struth: Museum Photographs, 1993-1994, (another from the edition exhibited, illustrated in colour pp. 34-35).
Kibbutz Hazorea, Wilfreid Israel Museum, Quotations in Art from Michelangelo to Hitchcock, 1997-1998, p. 7 (another from the edition exhibited, illustrated). This exhibition later travelled to Petach Tikva Museum and Ashdod Museum.
New York, The Museum of Modern Art, The Museum as Muse: Artists Reflect, 1999-2000, p. 119 (another from the edition exhibited, illustrated). This exhibition later travelled to San Diego, Museum of Contemporary Art.
Minneapolis, The Walker Arts Center, The Cities Collect, 2000-2001 (another from the edition exhibited).
Zurich, Kunsthaus, Thomas Struth Photographs 1978-2010, 2010-2012, p. 199 (another from the edition exhibited, illustrated in colour pp. 122-123 and p. 199). This exhibition later travelled to Düsseldorf, Kunstsammlung Nordrhein-Westfalen; London, Whitechapel Gallery; Porto, Museu de Serralves; Porto, Museu de Arte Contemporânea.
Munich, Haus der Kunst, Thomas Struth: Figure Ground, 2017, p. 314 (another from the edition exhibited, illustrated in colour p.141)
Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie’s holds such financial interest we identify such lots with the symbol º next to the lot number.
Post lot text
Others from the edition are in the collections of The National Museum of Modern Art, Kyoto; Bard Center for Curatorial Studies, Annandale-on-the-Hudson; Hamburger Kunsthalle, Hamburg and Zentrum für Kunst und Medientechnologie, Karlsruhe.
Sale room notice
Please note that the image dimensions are 52 7/8 x 68in. (136.9 x 172.6cm.) and not as listed in the printed catalogue.
Please note that this lot which was not marked with a diamond symbol in the printed catalogue is now subject to a minimum price guarantee and has been financed by a third party. Please see the conditions of sale for further information.

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