PABLO PICASSO (1881-1973)
Tête de femme en pleurs (Dora Maar)
Details
PABLO PICASSO (1881-1973)
Tête de femme en pleurs (Dora Maar)
dated ’16.10.39.’ (upper left)
oil on canvas
21 3/4 x 15 in. (55.2 x 38 cm.)
Painted in Royan on 16 October 1939
Tête de femme en pleurs (Dora Maar)
dated ’16.10.39.’ (upper left)
oil on canvas
21 3/4 x 15 in. (55.2 x 38 cm.)
Painted in Royan on 16 October 1939
Provenance
Estate of the artist.
Marina Picasso, Paris (by descent from the above and until at least 1984).
Galerie Jan Krugier, Geneva (acquired from the above).
Maruko Partners in Art, Japan, by 1995.
Invoice R.M., Japan.
Acquired from the above by the present owner circa 2006.
Marina Picasso, Paris (by descent from the above and until at least 1984).
Galerie Jan Krugier, Geneva (acquired from the above).
Maruko Partners in Art, Japan, by 1995.
Invoice R.M., Japan.
Acquired from the above by the present owner circa 2006.
Literature
C. Zervos, Pablo Picasso, vol. IX, Oeuvres de 1937 à 1939, Paris, 1958, no. 362 (illustrated, pl. 169; with incorrect dimensions).
Kodansha, ed., Pablo Picasso, vol. V, The Age of Illusion, Tokyo, 1981, no. 97 (illustrated).
Kodansha, ed., Pablo Picasso, vol. V, The Age of Illusion, Tokyo, 1981, no. 97 (illustrated).
Exhibition
Munich, Haus der Kunst; Cologne, Josef-Haubrich-Kunsthalle; Frankfurt, Galerie im Städelschen Kunstinstitut and Zurich, Kunsthaus, Pablo Picasso: Eine Ausstellung zum hundertsten Geburtstag, Werke aus der Sammlung Marina Picasso, February 1981-January 1982, p. 362, no. 210 (illustrated in color p. 166, fig. 50; illustrated again p. 362).
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, May-July 1981, p. 128, no. 58 (illustrated in color).
Tokyo, The National Museum of Modern Art and Kyoto Municipal Museum, Picasso, Masterpieces from the Marina Picasso Collection and from Museums in the U.S.A. and U.S.S.R., April-July 1983, p. 141, no. 168 (illustrated in color p. 141; illustrated again p. 290).
Melbourne, National Gallery of Victoria and Sydney, Art Gallery of New South Wales, Picasso, July-December 1984, p. 140 no. 132 (illustrated in color; titled ‘La pleureuse’).
Bielefeld, Kunsthalle, Picasso, Todesthumen, January – April 1984, pp. 168 and 277, no. 15 (illustrated in color p. 169).
Geneva, Musée Rath and Paris, Musée d’Art Moderne de la Ville, Regards sur Minotaure, la revue à tête de bête, Octotober 1988 – May 1988, no. 235 (illustrated p. 179).
Kyoto, The National Museum of Modern Art and Tokyo, Tobu Museum of Art, Picasso, The Love and the Anguish. The Road to Guernica, October-December 1995, p. 242, no. 94 (illustrated in color p. 243).
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, May-July 1981, p. 128, no. 58 (illustrated in color).
Tokyo, The National Museum of Modern Art and Kyoto Municipal Museum, Picasso, Masterpieces from the Marina Picasso Collection and from Museums in the U.S.A. and U.S.S.R., April-July 1983, p. 141, no. 168 (illustrated in color p. 141; illustrated again p. 290).
Melbourne, National Gallery of Victoria and Sydney, Art Gallery of New South Wales, Picasso, July-December 1984, p. 140 no. 132 (illustrated in color; titled ‘La pleureuse’).
Bielefeld, Kunsthalle, Picasso, Todesthumen, January – April 1984, pp. 168 and 277, no. 15 (illustrated in color p. 169).
Geneva, Musée Rath and Paris, Musée d’Art Moderne de la Ville, Regards sur Minotaure, la revue à tête de bête, Octotober 1988 – May 1988, no. 235 (illustrated p. 179).
Kyoto, The National Museum of Modern Art and Tokyo, Tobu Museum of Art, Picasso, The Love and the Anguish. The Road to Guernica, October-December 1995, p. 242, no. 94 (illustrated in color p. 243).
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