A limited edition monogram superflat jewellery box, no. 39 by Takashi Murakami, Louis Vuitton, 2003. Offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

Collecting Guide: 8 things to know about Louis Vuitton handbags and trunks

An introduction to the many Louis Vuitton bags on the market — including the most sought-after models — with Christie’s International Head of Handbags Matthew Rubinger  

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  • Louis Vuitton began his career in the 1830s as a maker of boxes

Louis Vuitton was born in 1821 in the mountain town of Anchay, in eastern France. At around age 13, he set off on foot to find his fortune in Paris. It was a journey of some 300 miles, and it took him more than two years.

A classic Monogram Canvas trunk with brass hardware, Louis Vuitton, circa 1920. 90 w x 50 h x 34 d cm. Estimate $2,000-3,000. This lot is offered in 
Handbags & Accessories, 20 November to 5 December 2018, Online

A classic Monogram Canvas trunk with brass hardware, Louis Vuitton, circa 1920. 90 w x 50 h x 34 d cm. Estimate: $2,000-3,000. This lot is offered in Handbags & Accessories, 20 November to 5 December 2018, Online

Arriving in Paris at age 16, Vuitton became an apprentice to a box manufacturer. In his early 30s he designed a flat-topped trunk that could be stacked — a radical innovation, as hitherto trunks had featured curved lids. Hired as the personal box-maker and packer to Eugenie, Empress of France, Vuitton became the travel goods manufacturer of choice among the aristocracy.

A set of eight classic Monogram Canvas hardsided suitcase trunks, Louis Vuitton, 20th century. From 30 w x 22 h x 20 d cm to 70 w x 47 h x 22 d cm. Estimate £8,000-10,000. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A set of eight classic Monogram Canvas hardsided suitcase trunks, Louis Vuitton, 20th century. From 30 w x 22 h x 20 d cm to 70 w x 47 h x 22 d cm. Estimate: £8,000-10,000. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

Passed from father to son, Vuitton’s business grew to include clothing, shoes, jewellery and, of course, handbags. Its iconic offerings have included the Keepall, released in 1930; the Noé, from 1932; the Alma, from 1934; Stephen Sprouse’s 2001 Graffiti bag; Takashi Murakami’s 2003 Monogram Mulitcolore; the Neverfull tote, released in 2007; and the Capucines, from 2013. 

A graphite Damier Canvas Courrier 110 steamer trunk with silver hardware, Louis Vuitton, 2010s. 110 w x 55 h x 57 d cm. Estimate £8,000-10,000. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A graphite Damier Canvas Courrier 110 steamer trunk with silver hardware, Louis Vuitton, 2010s. 110 w x 55 h x 57 d cm. Estimate: £8,000-10,000. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

Loyal customers have ranged from the Duke and Duchess of Windsor to Kim Kardashian; design collaborators have included Marc Newson, Frank Gehry and Cindy Sherman. 

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  • The bags don’t just look good — they're designed to be highly practical 

A limited-edition Monogram Mirage Bordeaux patent leather Speedy 30 with gold hardware. Louis Vuitton, 2009 spring-summer. This bag was offered in Handbags & Accessories on 12 December 2017 at Christie’s in Paris

A limited-edition Monogram Mirage Bordeaux patent leather Speedy 30 with gold hardware. Louis Vuitton, 2009 spring-summer. This bag was offered in Handbags & Accessories on 12 December 2017 at Christie’s in Paris


One of the reasons Louis Vuitton has so many followers is quite simple: the house makes pieces that are above all highly functional. Thoughtful design and durable materials are the hallmarks of a Louis Vuitton bag. The Keepall, for example, is completely waterproof, while the Boreal briefcase in Taiga leather  — made from smooth calfskin — is one of the most durable on the market.

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  • Limited-edition show bags are highly sought after

Twice a year, Louis Vuitton releases its runway collection handbags. Known as show bags, these pieces are produced in extremely limited quantities and only made available to VIP clients and in the largest Vuitton stores worldwide. Often more exaggerated and complicated than the collection pieces, show bags stand out for their intricate materials and craftsmanship. They are generally numbered and always marked with the season and collection in which they were produced. Perhaps the most important of these is the 2001 Graffiti, followed by the 2003 Multicolore.

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  • In 1997 Marc Jacobs became Louis Vuitton’s creative director — and breathed new life into the brand

A set of two a limited edition yellow Monogram Vernis Infinity Dots Lockit & zippy wallet with gold hardware by Yayoi Kusama, Louis Vuitton, 2012. 20 w x 11 h x 2.5 d cm. Estimate £2,000-2,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A set of two: a limited edition yellow Monogram Vernis Infinity Dots Lockit & zippy wallet with gold hardware by Yayoi Kusama, Louis Vuitton, 2012. 20 w x 11 h x 2.5 d cm. Estimate: £2,000-2,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A brand’s lead director not only guides its artistic vision, but can also steer the brand’s identity. Marc Jacobs, one of the architects of the collectible runway handbag market, arrived at Louis Vuitton in 1997. The acclaimed designer transformed the storied luggage brand into the blockbuster fashion house it is today, introducing the brand’s first-ever ready-to-wear collection. He also launched collaborations with the likes of fashion designer Stephen Sprouse and artist Yayoi Kusama. While staying true to Louis Vuitton’s heritage, Jacobs reinvigorated the brand for a younger generation.

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  • Collaborations with artists have resulted in groundbreaking pieces

A set of two a denim Monogramouflage Jasmin and a pulp jaune calfskin & blue coated Denim Defilé PM by Richard Prince, Louis Vuitton, 2008. 39 w x 19 h x 13 d cm. Estimate £1,000-1,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A set of two: a denim Monogramouflage Jasmin and a pulp jaune calfskin & blue coated Denim Defilé PM by Richard Prince, Louis Vuitton, 2008. 39 w x 19 h x 13 d cm. Estimate: £1,000-1,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

Louis Vuitton’s pioneering relationships with contemporary artists have included projects with Takashi Murakami in 2003 and 2008, and Richard Prince in 2007, who created paint-splattered bags adorned with quotations. In 2013, Louis Vuitton’s menswear designer Kim Jones enlisted Jake and Dinos Chapman to develop a capsule collection known as the 'Garden in Hell'. The floral print they produced featured strange creatures resembling a bloodshot eyeball, and demonic owls.

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  • Vuitton is not afraid to take risks

A red Epi leather trunk clutch, Louis Vuitton, 2018. 23 w x 14 h x 6.5 d cm. Estimate £1,000-1,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

A red Epi leather trunk clutch, Louis Vuitton, 2018. 23 w x 14 h x 6.5 d cm. Estimate: £1,000-1,500. This lot is offered in Handbags & Accessories on 12 December 2018 at Christie’s in London

Louis Vuitton constantly reinvents classic models and looks to the brand’s archive for inspiration. Some models have been produced for over 100 years, while new styles incorporate traditional models and motifs to show the evolution of the brand. The Trunk clutch is a miniaturised version of the piece which first made Monsieur Vuitton a famous, household name.

As technology and social media have amplified the house's reaches, the lines between art, fashion and street culture have blurred. Once trunkmakers to European aristocracy, Louis Vuitton now collaborates with brands like skateboard-maker Supreme, a mainstay of New York City streetwear. 

For Fall/Winter 2017, Supreme and Louis Vuitton produced a collection that took the men’s fashion world by storm. The limited-run pieces combine the Louis Vuitton monogram with the Supreme box logo.

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  • Pieces made from crocodile, alligator, ostrich and snakeskin are the pinnacle of the collector market

A shiny light pink crocodile Alma BB with gold hardware, Louis Vuitton, 2013. 24 w x 18 h x 11 d cm. Estimate $4,000-6,000. This lot is offered in 
Handbags & Accessories, 20 November to 5 December 2018, Online

A shiny light pink crocodile Alma BB with gold hardware, Louis Vuitton, 2013. 24 w x 18 h x 11 d cm. Estimate: $4,000-6,000. This lot is offered in Handbags & Accessories, 20 November to 5 December 2018, Online

Painstakingly crafted in limited quantities from the very best materials and finished in rich, deep colours, Louis Vuitton Exotics represent the finest in quality and craftsmanship. Difficult to find in stores and rarely seen on the auction market, these crocodile, alligator, ostrich and snakeskin pieces are the pinnacle of the Vuitton collector market. The shine on an alligator piece -- such as the burgundy bag above -- surpasses anything that can be crafted in leather. 

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  • Travel items remain bestsellers

A Damier graphite canvas overnight bag, Louis Vuitton, 2017. 41 w x 30 h x 15 d cm. Estimate $2,000-3,000. This lot is offered in 
Handbags & Accessories, 20 November to 5 December 2018, Online

A Damier graphite canvas overnight bag, Louis Vuitton, 2017. 41 w x 30 h x 15 d cm. Estimate: $2,000-3,000. This lot is offered in Handbags & Accessories, 20 November to 5 December 2018, Online

The brand boasts one of the world’s most exceptional collections of antique trunks, many of which are displayed in its stores around the world. Travel items, such as the Keepall travel bag and the Pégase suitcase, remain some of Vuitton’s best-selling pieces.