CAMILLE PISSARRO (1830-1903)
CAMILLE PISSARRO (1830-1903)
CAMILLE PISSARRO (1830-1903)
CAMILLE PISSARRO (1830-1903)
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THE PROPERTY OF A PRIVATE GERMAN COLLECTOR
CAMILLE PISSARRO (1830-1903)

Verger à Varengeville avec vache

Details
CAMILLE PISSARRO (1830-1903)
Verger à Varengeville avec vache
signed and dated 'C. Pissarro. 99' (lower left)
oil on canvas
18 ¼ x 21 ¾ in. (46.3 x 55.2 cm)
Painted in 1899
Provenance
Galerie Bernheim-Jeune, Paris, by whom acquired in September 1905.
Anonymous sale, Hôtel Drouot, Paris, 3 December 1910, lot 103.
M.F. Gérard, Paris, by whom acquired at the above sale.
Private collection, Sweden.
Alex Reid & Lefevre, London, by whom acquired from the above, on 6 March 1957.
J.E. Pearman, Bermuda, by whom acquired from the above on 13 October 1967; sale, Christie's, New York, 11 May 1994, lot 110.
Private collection, by whom acquired at the above sale; sale, Christie's, New York, 8 November 1995, lot 131.
Gérard & Marisol Corboud, Cologne, by whom acquired by 1997.
Fondation Surpierre, Liechtenstein, by descent from the above, in 2004.
Private collection, Switzerland, by 2013.
Anonymous sale, Kunsthaus Lempertz, Cologne, 3 December 2021, lot 27.
Acquired at the above sale by the present owner.
Literature
L.R. Pissarro & L. Venturi, Camille Pissarro, Son art - son œuvre, vol. I, Texte, San Francisco, 1989, no. 1083, p. 232 (illustrated vol. II, Planches, no. 1083, pl. 217; titled 'Un clos à Varengeville').
J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. III, Paris, 2005, no. 1293, p. 800 (illustrated).
Exhibited
Paris, Galerie Bernheim-Jeune, Exposition Camille Pissarro, April 1908, no. 15 (titled 'Varengeville').
London, The Lefevre Gallery, XIX & XX Century French Paintings, November - December 1967, no. 15, p. 30 (illustrated; titled 'Un clos à Varengeville').
Cologne, Wallraf-Richartz-Museum, Pointillismus, Auf den Spuren von Georges Seurat, September - November 1997, no. 104, p. 253 (illustrated n.p.; titled 'Un clos à Varengeville'); this exhibition later travelled to Lausanne, Fondation de l'Hermitage, January - May 1998.
Tokyo, Tobu Museum of Art, Monet, Renoir et les impressionnistes, July - August 1998, no. 16, pp. 50 & 149 (illustrated); this exhibition later travelled to Hokkaido, Obihiro Museum of Art, September - October 1998; Okayama, Prefectural Museum of Art, October - November 1998 and Nara, Prefectural Museum of Art, November - December 1998.
Cologne, Wallraf-Richartz-Museum - Fondation Corboud, Miracle de la couleur, September - December 2001, p. 436 (illustrated p. 437; titled 'Un clos à Varengeville').

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Olivia Vonberg
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