Acqueforti di Rembrandt

Le incisioni di Rembrandt van Rijn dimostrano una maestria senza pari nel trattamento della linea, della luce e dell’ombra. Lavorando principalmente con l’acquaforte e, occasionalmente, con la puntasecca, ha realizzato stampe che spaziano da ritratti intimi a complesse scene bibliche e storiche. Le sue incisioni sono celebrate per i ricchi contrasti tonali, i dettagli intricati e l’uso espressivo della linea, che catturano sia la somiglianza fisica che la profondità psicologica. Queste opere rivelano l’approccio innovativo di Rembrandt all’incisione e la sua capacità di trasmettere narrazione, atmosfera ed emozione sulla carta.


REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Arnout Tholinx, Inspector

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ presented to the people (‘Ecce Homo’)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ healing the Sick ('The Hundred Guilder Print')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Shell (Conus Marmoreus)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between two Thieves: ‘The Three Crosses’

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Woman sitting half dressed beside a Stove

Rembrandt Harmensz. van Rijn (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses' (B., Holl. 78; H. 270)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Angel departing from the Family of Tobias (copperplate and print)

Rembrandt Harmensz. van Rijn

The Three Trees (B., Holl. 212; H. 205; New Holl. 214)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Flight into Egypt: a Night Piece

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait etching at a Window

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Abraham entertaining the Angels

Rembrandt Harmensz. van Rijn

The Agony in the Garden (B., Holl. 75; H. 293)

Rembrandt Harmensz. van Rijn

Saint Jerome reading in an Italianate Landscape (B., Holl. 104; H. 267)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Jupiter and Antiope: the larger Plate

Rembrandt Harmensz. van Rijn (1606-1669)

Landscape with three gabled Cottages beside a Road (B., Holl. 217; H. 246)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait leaning on a Stone Sill

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The French Bed ('Het Ledikantje')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

Rembrandt Harmensz. van Rijn

Jan Lutma, Goldsmith (B., Holl. 276; H. 290; New Holl. 293)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ and the Woman of Samaria: an arched Print

Rembrandt Harmensz. van Rijn

Adam and Eve (B., Holl. 28; H. 159)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Abraham entertaining the Angels

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Monk in the Cornfield

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

Rembrandt Harmensz. van Rijn

Recueil de Quatre-Vingt-Cinq Estampes originales, Têtes, Paysages et différents Sujets, dessinées et gravés par Rembrandt

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Angel appearing to the Shepherds

Rembrandt Harmensz. van Rijn

Abraham Francen, Apothecary (B., Holl. 273; H. 291)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Francis beneath a Tree praying

REMBRANDT HARMENSZ. VAN RIJN (1606- 1669)

Christ healing the Sick ('The Hundred Guilder Print')