Modern British and Irish Art Evening Sale

Modern British and Irish Art Evening Sale

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This Autumn, Christie’s flagship 20th/21st Century auction series in London continues on 21 October with our landmark Evening Sale dedicated to Modern British and Irish Art.

Following the success of our auctions in March, this sale presents the most significant artists of the period, showcasing the rich diversity of British and Irish art in the 20th and 21st Centuries: from Modernist masterpieces by Dame Barbara Hepworth and Ben Nicholson, complimented by sculpture and works on paper by Henry Moore; through to paintings by prominent figures at the forefront of Modern British art from the 1960s to the present day, including Frank Bowling, Patrick Caulfield and Frank Auerbach.

Celebrated painters Sir William Nicholson and Augustus John further enrich this sale, alongside distinguished sculptures by Barry Flanagan, Lynn Chadwick and Eduardo Paolozzi.

Orari d'asta
21 ott 06:30 (BST (British Summer Time))

Brought to you by

Pippa Jacomb

Pippa Jacomb

Head of Evening Sale | Modern British and Irish Art

Pippa is a Director of the Modern British and Irish Art department, and since joining in 2005 has played a significant role in establishing Christie’s leading position and development of the Modem British and Irish Art market. As Head of the Day sales, Pippa has been responsible for driving their success, both by strengthening the markets for established artists, as well as providing a platform for many important overlooked artists. Recent auction records include works by Ronald Moody, Vanessa Bell, Celia Paul and Adrian Heath.

Pippa has had a pivotal role in the consignment of record-breaking works by John Minton, Stanley Spencer and Richard Hamilton. Pippa’s particular interests include the work of Gaudier-Brzeska, Edward Wadsworth and the Vorticists, as well as post-war British sculptors Lynn Chadwick, Eduardo Paolozzi and Geoffrey Clarke. She holds a Masters degree in History of Art from the University of Edinburgh, and her final year dissertation on the paintings of Paul Nash prompted her continuing fascination with the work of Nash and his contemporaries.

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