AN ENAMELED AND UNDERGLAZE-BLUE-DECORATED PORCELAIN SNUFF BOTTLE
This lot is offered without reserve.
AN ENAMELED AND UNDERGLAZE-BLUE-DECORATED PORCELAIN SNUFF BOTTLE

JINGDEZHEN KILNS, 1916-1920

细节
AN ENAMELED AND UNDERGLAZE-BLUE-DECORATED PORCELAIN SNUFF BOTTLE
JINGDEZHEN KILNS, 1916-1920
Either side is decorated with a slightly raised ovoid panel painted in underglaze blue with mountain retreats in riverside settings, within borders of formalized floral designs painted in iron-red. The base is inscribed Hongxian.
1 ¾ in. (4.4 cm) high, glass stopper
来源
Julie and Al Stempel
Sotheby's (PB 84), New York, 11 October 1979, lot 82.
Hugh Moss (HK) Ltd., Hong Kong.
Important Chinese Snuff Bottles from The J&J Collection, Part IV; Christie's New York, 22 March 2007, lot 59.
Ruth and Carl Barron Collection, Belmont, Massachusetts, no. 4550.
出版
Chinese Snuff Bottles, Hong Kong Museum of Art, p. 51, no. 89
Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, Vol. I, New York/Tokyo, 1993, no. 226.
展览
Hong Kong Museum of Art, October-November 1977.
New York, Christie's, 1993.
Singapore, Empress Place Museum, 1994.
Frankfurt, Museum für Kunsthandwerk, 1996-1997.
London, Percival David Foundation of Chinese Art, 1997.
Florida, Naples Museum of Art, 2002.
Oregon, Portland Museum of Art, 2002.
Taipei, National Museum of History, 2002.
New York, International Asian Art Fair, Seventh Regiment Armory, 2003.
Beijing, Poly Art Museum, 2003.
Boston, International Chinese Snuff Bottle Society Convention, The Barron Collection, 23-26 September 2008.
注意事项
This lot is offered without reserve.

拍品专文

This unusual bottle belongs to a small group, others of which are illustrated by H. Moss, Snuff Bottles of China, p. 132, no. 326; by R. Hall, Chinese Snuff Bottles III, no. 70; and by B. Stevens, The Collector's Book of Snuff Bottles, no. 312.
Hongxian was the title adopted by Yuan Shikai, a warlord who established a new dynasty under his own rule in 1916, but who died within a few months of his enthronement. It is generally accepted that none of the wares produced at Jingdezhen during his brief reign bore his reign title. However, he did revive the waning ceramic industry and re-established the traditional system of Imperial factory production at Jingdezhen to make special orders for the Court. It is likely this group of bottles was made some time after 1916, but probably not long after.
Many of the porcelains produced under Hongxian's impetus were typically based on classic Beijing Palace wares from the Qianlong period or based directly on the paintings of Lang Shining (Giuseppe Castiglione). The bottles from the present group, however, are exceptional for the period as they follow neither style.

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