A BRONZE GROUP OF ADONIS RESTING AFTER THE HUNT
A BRONZE GROUP OF ADONIS RESTING AFTER THE HUNT

AFTER A MODEL BY NICOLAS COUSTOU (1658-1733), FIRST HALF 18TH CENTURY

细节
A BRONZE GROUP OF ADONIS RESTING AFTER THE HUNT
AFTER A MODEL BY NICOLAS COUSTOU (1658-1733), FIRST HALF 18TH CENTURY
Depicted seated on a tree stump and with a dog by his right side; on an integrally cast naturalistic base; medium brown patina with brassy high points; with a paper label to the underside inscribed 'Cat. No 45b Coll. Mr. D. Daniels, N.Y.'
13¾ in. (35 cm.) high; 17 in. (43 cm.) high, overall
来源
David Daniels Collection, New York.
出版
New York, Knoedler & Co., The French Bronze 1500-1800, 6 - 27 Nov. 1968, no. 45A-B.

COMPARATIVE LITERATURE:
F. Souchal, French Sculptors of the 17th and 18th centuries - The Reign of Louis XIV, Oxford, 1977, I. no. 52, pp. 168-169.
F. Souchal, Les Feres Coustou - Nicolas (1658-1733) - Guillaume (1677-1746), Paris, 1980.
J.-R. Gaborit, Sculpture Franaise II - Renaissance et Temps Modernes, Paris, 1998, I, p. 166.

荣誉呈献

Shari Kashani
Shari Kashani

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拍品专文

The bronze Adonis offered here is a reduced version of Nicolas Coustou's signed and dated marble executed in 1710 for the gardens of the Chateau of Marly and now in the Musée du Louvre, Paris. The method of casting, patination and surface finish all point to a casting date sometime in the first half of the 18th century.

Although Coustou was a prolific sculptor working for the Batiments du Roi, as well as private patrons, his greatest attention was dedicated to the park of the Chateau of Marly. As well as the numerous decorative carvings Coustou executed for these gardens he also carved the great marble group of The Seine and The Marne (now in the Jardins des Tuileries, Paris), two marble groups of Meleager Slaying a Stag and Meleager Slaying a Boar (in situ), the seated Adonis upon which the present bronze is based, and two further marble figures of nymphs (Musée du Louvre, Paris). All these works for Marly had central to their theme a bucolic charm that was intended to epitomise the informal spirit of the park.