A CARVED WOOD MODEL OF A SNAKE AND SKULL
明治時代 十九世紀末 木雕白骨觀擺件 款: 大日本亮之造(泉亮之)

MEIJI PERIOD (LATE 19TH CENTURY), SIGNED DAI NIHON SUKEYUKI (IZUMI SUKEYUKI; 1838-1920)

細節
明治時代 十九世紀末 木雕白骨觀擺件 款: 大日本亮之造(泉亮之)
4 in. (10.2 cm.) high
出版
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), p. 126.
展覽
Preparatory Office of the National Headquarters of Taiwan Traditional Arts, “Japan Arts of Meiji Period; Asia-Pacific Traditional Arts Festival Special Exhibition.” 2011.7.8-2012.1.8. cat. p. 57.
“Meiji Kogei: Amazing Japanese Art,” cat. no. 98, shown at the following venues:
Tokyo Geijutsu Daigaku Bijutsukan (Tokyo University of the Arts Museum), 2016.9.7-10.30
Hosomi Bijutsukan (Hosomi Museum, Kyoto), 2016.11.12-12.25
Kawagoe Shiritsu Bijutsukan (Kawagoe City Art Museum), 2017.4.22-6.11

榮譽呈獻

Takaaki Murakami
Takaaki Murakami

拍品專文

Weathered skulls are emblematic of the evanescence of life, a memento mori that fascinated an artist steeped in the culture of Zen Buddhism. This subject was often called nozarashi and especially favored by the samurai class as they were meant to be prepared for death at any time.
Izumi Sukeyuki lived in the town of Bamba in Omi province; present day Shiga Prefecture. He was a master carver of family Buddhist altars and on a visit to Hida-Takayama, he was impressed by the work of Sukemizu, who carved models and netsuke, and he then decided to begin carving similar works. Sukeyuki was good at carving skull, snake and toad and he won a prize at the World's Columbian Exposition, Chicago in 1893.

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