1934
A FINE LARGE BLUE AND WHITE BEAKER VASE, GU
A FINE LARGE BLUE AND WHITE BEAKER VASE, GU
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清康熙 青花花鳥蝶紋觚 雙圈六字楷書款

KANGXI SIX-CHARACTER MARK WITHIN DOUBLE-CIRCLES AND OF THE PERIOD (1662-1772)

細節
觚喇叭口,微鼓腹,撇底,圈足。外壁青花紋飾。頸部繪喜鵲梅樹圖;圓腹繪折枝牡丹、桃花紋;下層繪洞石倒垂桃枝果實,蝴蝶一旁翩飛。底青花雙圈內書「大清康熙年製」楷書款。

此式觚瓶源自明末的筒觚,器身由三部份組成。最初形制由口沿至底部一條弧線構成,稍後變成中部輕微或顯著凸起,最後化成康熙朝典型的鳳尾尊。北京故宮博物院藏一件康熙青花牡丹紋花觚,其腹部微鼓、花鳥蝶主題、各層紋飾構圖均與本瓶近似,應同為康熙初期器物,見2000年香港出版故宮博物院藏文物珍品全集《青花釉裏紅‧下》,圖版35號。

榮譽呈獻

Nick Wilson
Nick Wilson

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拍品專文

This type of beaker vase is typical of the early Kangxi period, evolved from the late Ming form of a gentle unbroken curve from rim to foot, and with a slightly curved central section. Compare to an inscribed example decorated with figures, fruits and birds, dating to 1663, included in the exhibition Transitional Wares and Their Forerunners, Hong Kong Museum of Art, 1981, Catalogue, pp. 92-93, pl. 91. Another Kangxi example shares similar themes of flowers, birds and butterflies is illustrated in Blue and White Porcelain with Underglaze Red III, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2000, p. 42, no. 35.