A FINE PAIR OF MING-STYLE BLUE AND WHITE VASES, MEIPING
A FINE PAIR OF MING-STYLE BLUE AND WHITE VASES, MEIPING
A FINE PAIR OF MING-STYLE BLUE AND WHITE VASES, MEIPING
A FINE PAIR OF MING-STYLE BLUE AND WHITE VASES, MEIPING
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THE PROPERTY OF A GENTLEMAN 
青花折枝花果紋梅瓶一對  六字篆書款

清乾隆

細節
清乾隆  青花折枝花果紋梅瓶一對  六字篆書款

瓶小口,短頸,豐肩,斂腹,圈足。通體青花紋飾。頸飾寶相花,肩飾蓮瓣紋,近足處飾蕉葉紋。腹部飾折枝四季花、瑞果紋各三組。底書「大清乾隆年製」篆書款。

此器造型係仿明宣德青花瓷而作,臺北故宮博物院藏宣德青花折枝花果紋梅瓶,見1963年香港出版《故宮藏瓷.明青花瓷二.宣德上》,圖版1號。

此器1980年於日本大阪市立美術館編《明清の美術》中發表,圖版167號(其中一件);1989年再次發表,42頁,圖版120號。
出版
Min Shin no Bijutsu, Osaka City Museum of Fine Arts, Japan, 1980, p. 42, fig. 186
Min Shin no Bijutsu, Osaka Shiritsu Bijutsukan hen, Japan, 1982, pl. 167 (one of two illustrated)
Shincho Kogei no Bi, Osaka City Museum of Fine Arts, Japan, 1989, p. 42, no. 120

榮譽呈獻

Aster Ng
Aster Ng

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拍品專文

The inspiration for this shape and pattern originates from examples produced during the early Ming period, such as the 15th century example in the National Palace Museum, Taipei, illustrated in Blue and White Ware of the Ming Dynasty, Book II (part 1), Hong Kong, 1963, pl. 1; and two other meiping vases illustrated by T. Misugi, The Ardebil Shrine Collection, Hong Kong University Press, 1981, nos. A69 and A70.

A number of these tall, high shouldered vases are published: one formerly from the Edward T. Chow Collection, sold at Sotheby's Hong Kong, 19 May 1981, lot 546; a vase from the Eugene O. Perkins Collection, sold at Christie's New York, 2 June 1989, lot 90; and a pair from the T. Y. Chao Collection, exhibited at the Hong Kong Museum of Art, 1978, illustrated in the Catalogue, no. 79, one of which is now in the S. C. Ko Tianminlou Collection, and is illustrated in Blue and White Porcelains in the Collection of Tianminlou Foundation, Hong Kong, 1996, p. 222, no. 94. Also, compare two other vases, one formerly from the Robert Chang Collection sold at Christie's Hong Kong, 1 December 2009, 1888; and the other from the Shorenstein Collection, sold at Christie's Hong Kong, 1 December 2010, lot 2970.

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