A FINE WHITE JADE PEACH COVERED BOX ACCOMMODATING A MINIATURE OLIVE-NUT CARVING
A FINE WHITE JADE PEACH COVERED BOX ACCOMMODATING A MINIATURE OLIVE-NUT CARVING

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A FINE WHITE JADE PEACH COVERED BOX ACCOMMODATING A MINIATURE OLIVE-NUT CARVING
QIANLONG PERIOD (1736-1795)

The box and cover carved in the round in the form of a peach, the exterior decorated in shallow relief with a pair of bats in flight above a flowering prunus branch that continues on the box, resting on a peach-shape recessed base, the interiors well-hollowed, the stone of an even white tone with areas of light russet inclusions; fitted with a yellow silk stand, accommodating an olive-nut, delicately carved in openwork in the form of a boat steered by an oarsman, and minutely detailed with gentlemen seated under the awning, amongst antiques and attended by servants, the underside hull finely incised with the poem, Hou chibi fu, 'Latter Ode to the Red Cliff'
2 5/8 in. (6.6 cm.) wide, box

Lot Essay

Miniature olive-nut carvings first appeared in the mid-Ming period, and appreciation for this type of carvings continued into the Qing dynasty when olive-nuts were carved as accessories such as rosaries and toggles. For an example of a miniature boat incised with a poem appraising mountains in autumn, see Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, The Complete Collection of Treasures of the Palace Museum, Commercial Press Hong Kong, 2002, p. 105, no. 97.

The present olive-nut carving teases the eye with its minute detail capturing a scene in vivid miniature of the Song dynasty poet, Su Dongpo (1036-1101), whose boating trip along the Yangzi River inspired one of his best works, 'The Latter Ode to the Red Cliff', which was composed in 1082. Remarkably, the entire poem is carved on the underside hull of the boat.

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