A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
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A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
6 More
Property from the Collection of Leonard J. Star
A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI

EARLY WESTERN ZHOU DYNASTY,11TH -10TH CENTURY BC

Details
A FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
EARLY WESTERN ZHOU DYNASTY,11TH -10TH CENTURY BC
The interior is cast with a two-character inscription reading fu wu (Father Wu).
9 in. (22.5 cm.) across handles
Provenance
The Property of R. C. R. Luff Will Trust; Sotheby's London, 26 June 1973, lot 5.
S. Marchant & Son, London.
Far East Gallery (Albert Y. P. Lee), Canada, 1970s.
Leonard J. Star Collection, and thence by descent to the present owner.
Literature
Liu Yu and Lu Yan, Jinchu Yinzhou jinwen jilu (Compendium of Bronze Inscriptions Recently Discovered), Beijing, 2002, p. 264, no. 388.
Wang Tao and Liu Yu, A Selection of Early Chinese Bronzes with Inscriptions from Sotheby's and Christie's Sales, Shanghai, 2007, no. 76.
Wu Zhenfeng (ed.), Shangzhou qingtongqi mingwen ji tuxiang jicheng (A Collection of Inscriptions and Images of Shang and Zhou Archaic Bronzes), Shanghai, 2012, vol. 8, p. 30, no. 3703.
Exhibited
On loan: San Antonio Museum of Art, 1984-2016.
On loan: Cleveland Museum of Art, 2017-2023, no. 35.2017.

Brought to you by

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

Lot Essay


A similar bronze gui dated to the early Western Zhou period is illustrated by J. Rawson in Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, vol. IIB, Washington, D.C., 1990, pp. 390-1, no. 45, and was subsequently sold at Christie’s New York, 17 March 2017, lot 1005. Two further similar examples are illustrated in articles reprinted in Chinese Bronzes: Selected articles from Orientations 1983-2000, Hong Kong. One is in the Klingenberg Collection in the Museum of East Asian Art, Berlin, and is illustrated by H. Butz, 'Early Chinese Bronzes in the Collection of the Museum of East Asian Art', p. 382, fig. 10. The diamond-and-boss band is very similar to that on the current gui, but the narrow bands on the Berlin example feature different decoration and the upper band lacks the relief animal heads on either side. The other gui, in the Seattle Art Museum, is illustrated by M. Knight, "Bronze in Chinese Culture from the Shang to the Tang Dynasty', p. 207, fig. 5. The diamond-and-boss band on the Seattle gui is wider than that on the current gui and the other aforementioned examples and features five rows of bosses as opposed to three rows.

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