A FRENCH GILT-BRONZE GROUP OF CENTAUR AND CUPID
Specified lots (sold and unsold) marked with a fil… Read more
A FRENCH GILT-BRONZE GROUP OF CENTAUR AND CUPID

MID-19TH CENTURY, AFTER THE ANTIQUE

Details
A FRENCH GILT-BRONZE GROUP OF CENTAUR AND CUPID
MID-19TH CENTURY, AFTER THE ANTIQUE
On a later brass-inlaid ebony rectangular plinth, regilt
30 ½ in. (77.5 cm.) high; 23 in. (58.5 cm.) wide; 9 ¾ in. (25 cm.) deep
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Alexandra Cruden
Alexandra Cruden

Lot Essay

The present gilt-bronze group of the infant Cupid astride a Centaur is a reduction of the Greek marble group of the third or second century BC, which is documented as being in the Borghese collection by 1613 (F. Haskell and N. Penny, Taste and the Antique - The Lure of Classical Sculpture 1500-1900, New Haven and London, 1981, p. 179, no. 21). By 1650 it was in the Villa Borghese in a room which was named after it, and it remained there until the historic sale of the Borghese antiquities in 1807 to Napoleon, whose sister had married Prince Camillo Borghese. The marble was widely interpreted as an allegory of the power of love, represented by Cupid, over lust.


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