A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
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Prospective purchasers are advised that several co… Read more PROPERTY OF A FRENCH NOBLE FAMILY (LOTS 23-26)
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE

BY MAISON GIROUX, THE MARQUETRY BY FERDINAND DUVINAGE, PARIS, CIRCA 1880

Details
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
BY MAISON GIROUX, THE MARQUETRY BY FERDINAND DUVINAGE, PARIS, CIRCA 1880
The cylindrical body flanked by upright knop handles, inlaid overall with thick fruiting foliage, an exotic bird to each side, on four rams hooves cast with acanthus leaves and suspending floral garlands, the rim signed 'ALPH. GIROUX PARIS'
14 ¾ in. (37.5 cm.) high; 13 ¾ in. (35 cm.) wide; 11 ½ in. (29 cm.) deep
Provenance
By repute, acquired at the Exposition universelle, Paris, 1878, and thence by descent.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Adam Kulewicz
Adam Kulewicz

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Lot Essay

With its sumptuous ivory mosaic decoration, this jardinière is a fine example of the luxurious objets d'art created by the firm Maison Alphonse Giroux. Founded in Paris in the late 18th century, the Maison Giroux quickly evolved into one of the foremost purveyors of objets de luxe with a sophisticated clientele including Louis XVIII and Charles X. Although they sold a wide range of wares – from paintings to stationery – under the leadership of Ferdinand Duvinage and his wife, Rosalie-Eléonore-Antoinette, they developed a special technique patented as ‘une mosaïque combiné avec cloisonnement métallique’ which is splendidly manifest in the present lot. Reflecting the mid-19th century preoccupation with ‘Orientalist’ decoration, these unique objects were first shown at the 1878 Exposition universelle in Paris. As Daniëlle Kisluk-Grosheide suggests, they are almost always marked with the by an etched FD and Bté (short for ‘breveté’ or patent) and were likely created only between 1877, when the patent was granted, and 1882 when Madame Duvinage ceded her directorship of the firm (D. Kisluk-Grosheide, 'Maison Giroux and its 'Oriental’ Marquetry Technique’, The Journal of The Furniture History Society, vol. XXXV, 1999, p. 154, 162.).

A jardinière signed by the Maison Giroux with virtually identical inlay and mounts sold from the Collection of Gianni Versace, Sotheby’s, New York, 21 May 2005, lot 78 ($38,400). Two other signed versions sold Sotheby’s, Paris, 9 April 2008, lot 259 (€ 53,050) and Christie’s, New York, 21 October 2008, lot 273 ($50,000), respectively. An additional jardinière from a private collection is illustrated in D. Kisluk-Grosheide, op. cit., p. 165.

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