A FRENCH ORMOLU TWELVE-LIGHT CHANDELIER
A FRENCH ORMOLU TWELVE-LIGHT CHANDELIER

LATE 19TH CENTURY

Details
A FRENCH ORMOLU TWELVE-LIGHT CHANDELIER
LATE 19TH CENTURY
The ring above four masks, above a fluted base with detached scrolls above a spreading body issuing the upper tier of branches, above a further tier of branches, each foliate edged and terminating in gadrooned drip-pans and nozzles above a tapering foliate boss cast with ram's heads and mask, stamped 'CH'
57 in. (127 cm.) high; 34 in. (87 cm.) diameter
Provenance
Acquired from Maurice Chalom, 1967.

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Victoria von Westenholz
Victoria von Westenholz

Lot Essay

Designed in the Louis XIV 'antique' manner, with its reeded and acanthus-wrapped vase stem, female caryatid heads representative of Diana and cherubic masks emblematic of the Winds, this chandelier is related to documented patterns by the Ebéniste du roi André-Charles Boulle (1641-1732). Although no direct pattern for this chandelier has so far been traced, two drawings attributed to Claude Ballin in the Tessin Collection display closely related elements. The first, dating from circa 1685, depicts a chandelier with very similar husk-trailed panelled S-scroll branches supported by putto-masks with C-scroll head-dress of this identical form, whilst the second shows acanthus leaves wrapping the branches and S-scroll volutes flanking a central vase. Now held in the Nationalmuseum in Stockholm, they are illustrated in H. Ottomeyer/P. Proschel et al., Vergoldete Bronzen, Munich 1986, Vol.11, pp.50 & 54, figs, 1.6.2 & 1.6.9.

A further engraving, first published by Daniel Marot in his Nouveaux Livre d'Orfevrie Inventé par Marot Architecte du Roi of 1710, although conceptually of twenty or thirty years earlier, illustrates several chandeliers with lambrequin-capped female masks, as well as the distinctive acanthus-wrapped S-scroll arms.

A chandelier of almost identical form was sold from the Alexander Collection, Christie's New York, 30 April 1999, lot 124. Another of this basic model was sold from the collection of Rodolphe Kann, Paris, 1907, lot 153. A chandelier with very similar stem, attributed to Boulle, is illustrated in T. Strange, French Interiors, Furniture, Decoration, London, n.d., p.143, whilst a further example was exhibited in 'Louis XIV Faste et Décors,' at the Musée des Arts Décoratifs, Paris, 1960, no.195.

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