WORKSHOP OF FRIEDRICH LUDWIG HOFFMANN, PROBABLY BERLIN, CIRCA 1760⁄1765

The application of hardstone insects on the present lot reflects the tradition of decorating Scythian warriors' breastplates with small talismanic creatures. It was believed that the more living souls depicted on an object, the more effectively it would bring its owner good fortune.
The technique of raised hardstone decoration is usually associated with the court of Frederick the Great in Berlin and the rich mineral deposits found in Saxony. Friedrich Ludwig Hoffmann was active as a stone-cutter in Bayreuth, Germany, in 1762 and may have been one of a group of artists who moved to Berlin in 1763. For more information on Hoffmann, see L. Seelig, Golddosen des 18. Jahrhunderts aus dem Besitz der Fürsten von Thurn und Taxis, Munich, 2007, pp. 258-261, 383-385.
A similarly decorated gold-mounted quartz snuff-box, signed 'F. L. Hoffmann', is in the Gilbert Collection at the Victoria and Albert Museum, London, (inventory no. GILBERT.416-2008), Charles Truman, The Gilbert Collection of Gold Boxes, Los Angeles, 1991, p. 192, pl. 66. The Louvre's collection also includes a similarly encrusted oval cloudy quartz snuff-box, inventory no. OA 2145, see S. Grandjean, Catalogue des tabatières, boîtes et étuis des XVIIIe et XIXe siècles du Musée du Louvre, Paris, 1981, p. 291, pl. 442. Another oval snuff-box of cloudy quartz, encrusted with fly and ladybird motifs is recorded in a Private Collection in Berlin, see S. Bursche, Galanterien: Dosen, Etuis und Miniaturen aus Gold, Edelsteinen, Email und Porzellan. Eine Berliner Privatsammlung, Berlin, 1996, p. 92, no. 35.