NEPAL, 14TH CENTURY

The present lotus-bearing form of Avalokiteshvara, known accordingly as Padmapani, is the most common form found in the Nepalese context, in contrast to the Indian tradition in which he is shown seated. Avalokiteshvara has been widely worshipped in Nepal from at least the mid-sixth century, and as such, this form has been perfected. The figure’s lithe form and slightly-tilted head give a lifelike quality and grace to this small bodhisattva.
The present sculpture is a small, simpler version of a widely-appreciated form commissioned repeatedly in a variety of large, impressive, heavily-inlaid and gilded styles. Like those iconic examples, this small version features an organically folded dhoti that hangs between the thighs, and a sacred thread that falls atop them. While lacking inlay, the artist's approach to ornamentation allows the viewer's eye to imagine Padmapani adorned with jewels, just as he is presented in the great, early Malla-period masterpieces.
Himalayan Art Resources, item no. 24534.