A LOUIS XV/XVI TRANSITIONAL ORMOLU-MOUNTED AMARANTH, BOIS SATINE, TULIPWOOD AND PARQUETRY COMMODE
PROPERTY FROM A PRIVATE COLLECTION 
A LOUIS XV/XVI TRANSITIONAL ORMOLU-MOUNTED AMARANTH, BOIS SATINE, TULIPWOOD AND PARQUETRY COMMODE

STAMPED TWICE C. TOPINO, CIRCA 1775, PARTIALLY REMOUNTED

Details
A LOUIS XV/XVI TRANSITIONAL ORMOLU-MOUNTED AMARANTH, BOIS SATINE, TULIPWOOD AND PARQUETRY COMMODE
Stamped twice C. TOPINO, Circa 1775, partially remounted
The later canted rectangular grey and purple marble top above three short frieze drawers decorated with flowering branches and two large graduated drawers decorated with floral trellis the sides similarly-decorated, the angles each headed by a scrolled bracket set with piasters to the front and hung with berried laurel swags above a ribbon-tied floral pendant, the similarly-decorated cabriole legs with acanthus-sheathed scrolled sabots, the angle mounts later
35½in. (90cm.) high, 48¾in. (124cm.) wide, 22in. (56cm.) deep

Lot Essay

Charles Topino, maître in 1773

Established on the rue du Faubourg-Saint-Antoine, Charles Topino was renowned for his work as a specialist marqueteur supplying the most celebrated marchand-merciers and marchand-ébénistes including Héricourt, Dautriche, Migeon, Denizot, Moreau, Delorme, Tuart, and Boudin. Much of of his work includes the depiction of 'naif' or still-lifes but he also worked in floral marquetry or in the geometric patterns found on this commode, combined with the use of floral sprays to the frize.

Despite his distinguished client list and his election to député of his guild, which displays the high esteem in which he was held, in 1782, Topino appears to have struggled financially and was finally declared bankrupt in December 1789. Salverte commented that his finances were in the greatest disorder, further worsened by the revolution and it is possible that his stock was priced too modestly. In his Daybook, covering the period between circa 1771-circa 1779 (Archives de la Seine, D5 B6 395) are listed among other items chests of drawers, four feet in width and priced to include their mounts at between 120 and 210 livres.

A similar commode, with floral trellis patterned marquetry is illustrated in P. Kjellberg, Le Mobilier Français du XVIIIe Siècle, Paris, 1989, p. 844, fig.B.

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