A PAIR OF LOUIS XVI ORMOLU AND BARDIGLIO MARBLE THREE-LIGHT CANDELABRA
THE PROPERTY OF A FAMILY TRUST (LOTS 162-168 AND 170-173)
A PAIR OF LOUIS XVI ORMOLU AND BARDIGLIO MARBLE THREE-LIGHT CANDELABRA

IN THE MANNER OF FRANCOIS REMOND, CIRCA 1785

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A PAIR OF LOUIS XVI ORMOLU AND BARDIGLIO MARBLE THREE-LIGHT CANDELABRA
IN THE MANNER OF FRANCOIS REMOND, CIRCA 1785
Each with a central vase-shaped body surmounted by a central torch with plumed finial flanked by eagle's heads and foliate-wrapped sprirally-turned branches, on griffin-headed monopodiae supports and a concave-sided tripartite base and circular plinth base with turned feet, minor losses and breaks to branches of one candelabrum
30½ in. (77 cm.) high (2)

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Caitlin Yates
Caitlin Yates

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A drawing attributed to the fondeur and ciseleur-doreur François Rémond (1747-1812) depicts a draft design for a closely related girandole of this model with seven branches, and known examples executed by him date from circa 1785. In October 1786, Marie-Antoinette ordered a pair for her new Salon des Nobles at the château de Versailles, at a price of 2612 livres.

This model enjoyed enormous success, and numerous variants with slight modifications, including sphinxes, goats' heads etc. were subsequently created. In April 1787, Rémond supplied the marchand-mercier Dominique Daguerre eight girandoles en trépied for a total price of 7200 livres, and these can probably be identified with the eight candelabra of this model bought from Daguerre by George, Prince of Wales, later King George IV, for Carlton House. Placed in the Throne Room, they are visible in Charles Wild's 1818 watercolour, illustrated in Carlton House, The Past Glories of George IV's Palace, Exhibition Catalogue, London 1991, col. pl. IV, no. 195.

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