A PRINCESS ENTERTAINED IN A PALACE COURTYARD ON A RIVER BANK
A PRINCESS ENTERTAINED IN A PALACE COURTYARD ON A RIVER BANK
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A PRINCESS ENTERTAINED IN A PALACE COURTYARD ON A RIVER BANK

STYLE OF FAIZULLAH, PROVINCIAL MUGHAL, CIRCA 1760-1770

細節
A PRINCESS ENTERTAINED IN A PALACE COURTYARD ON A RIVER BANK
STYLE OF FAIZULLAH, PROVINCIAL MUGHAL, CIRCA 1760-1770
Opaque pigments heightened with gold on paper, the courtyard neatly arranged with flower beds, European galleons in the river in the background, within gold and polychrome rules, with plain borders, the reverse with attribution in pencil 'From / Chester Beatty Colln.'
Painting 11 1/8 x 13 1/8in. (28.1 x 33.3cm.); folio 14 1/8 x 17 3/8in. (36 x 44.1cm.)
來源
Formerly in the collection of the late Professor Donald Robertson of the Persian Department, Cambridge University
Bonhams, London, 8 October 2009, lot 253
展覽
Völkerkunde-Museum, Hamburg, Blumen, Bäume, Göttergärten, 2013
Rietberg Museum, Zurich, Gärten der Welt, Indische Gärten in der Parkvilla Rieter, 2016

榮譽呈獻

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam

拍品專文

This intricately detailed scene depicting a princess on a palace terrace surrounded by attendants appears to have been executed by a follower of the Awadhi artist Faizullah, who was painting in Faizabad and Lucknow in the late 18th century. The composition with the main scene taking place in the foreground with gardens, fountains and landscape beyond can be compared to ‘A dancer balances a bottle’, circa 1770, attributed to Faizullah or a close follower, now in the Chester Beatty Library, Dublin (inv.no.69.6; Markel, Gude, 2011, no.21, p.76-77). The use of perspective, receding terraces, and enclosed gardens displays strong European influence and the inheritance of stylistic features from earlier Mughal paintings that must have been known to artists working in Awadh. In the late 18th century, Awadhi artists developed a penchant for lavish terrace scenes and a vibrant colour palette with colourful textiles and women in colourful dresses.

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