A RARE JUN 'NUMBER NINE' TRIPOD NARCISSUS BOWL
A RARE JUN 'NUMBER NINE' TRIPOD NARCISSUS BOWL
A RARE JUN 'NUMBER NINE' TRIPOD NARCISSUS BOWL
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元/ 明初  鈞窰玫瑰紫釉鼓釘三足洗   「九」字款

YUAN/MING DYNASTY, 14TH CENTURY

細節
器斂口,淺腹,平底,下承三雲頭足。口沿及近底處環鼓釘一周。通體施釉,器外呈天藍與玫瑰紫釉相交融的窰變色,器內紫藍釉,沿邊及凸棱呈褐色,器心有蚯蚓走泥紋。底刻「九」字,有支釘燒痕一圈。

最早的鈞窰器只呈素藍色,自十一世紀末起,鈞瓷開始加入紫紅斑裝飾,那是窰燒之前在釉面塗上氧化銅的效果。此器代表一組模製的鈞窰洗、花盆及盆奩類,以複式模具製成,其中一些器底釉下刻數字一至十。從博物館藏品及禹縣鈞台窰址發掘所見,這些數字應與器物的大小相關,以「十」為最小型,「一」為最大型。

這類瓷器的斷代頗多爭議,近年大多數學者得出一個結論,認為此類編號鈞瓷應燒造於元至明初年間。值得注意的是,中國元代以前的文獻中從未提及鈞窰,但在明代後葉的著作中卻頻頻出現。若將這類鈞瓷與其他窰器(包括景德鎮明代官窰出土的文物)作一比較,可推論編號鈞瓷應是明初宮廷用器,這亦解釋了為何相當多的傳世鈞瓷出自宮廷舊藏。

如此器的「九」字款鼓釘洗並不多見。Emil Baerwald 及Herschel V. Johnson 舊藏一例,1967年2月21日於倫敦蘇富比拍賣,拍品30號。東京繭山龍泉堂收藏一例,載於1976年東京出版《龍泉集芳》第1 集,圖版415 號。胡惠春舊藏一例,1996 年3 月26 日於紐約蘇富比拍賣,拍品154 號。

此器1957 年購自倫敦Bluett & Sons。著錄於1987 年克羅伊登博物館出版《Riesco Collection of Chinese Ceramics
Handlist》,編號53。

里埃斯科收藏編號103v。
來源
Bluett & Sons, London, 1957
Raymond F.A. Riesco Collection, no. 103v
出版
London Borough of Croydon, Riesco Collection of Chinese Ceramics Handlist, Croydon, 1987, p. 7, no. 53

榮譽呈獻

Ruben Lien
Ruben Lien

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拍品專文

The fascination with Jun ware lies in its remarkable glaze, with its lustrous and opalescent qualities, as evident in the present lot. The present bowl belongs to a group of Jun vessels comprising narcissus bowls, flower pots and stands, where each vessel has been incised or stamped with a Chinese numeral on the base before firing. The numbers range from one to ten, and judging from the examples in museums and those examined from the excavations at Juntai, Yuxian, the numbers appear to have an indirectly proportional relationship with the sizes of the vessels, with ten representing the smallest and one the largest. Recent research by Chinese scholars has tended to support the idea that these fine quality numbered Jun vessels should date to the Yuan or early Ming dynasty, late 14th to early 15th century.

It may be significant that Jun wares do not appear to have been mentioned in Chinese literature before the Ming dynasty but are mentioned with increasing frequency in the latter part of the Ming dynasty. Interestingly, comparisons with ceramics from other kilns, including some excavated from the Imperial Ming kilns at Jingdezhen, suggests that these well-made numbered Jun vessels may have been made for the court in the early Ming dynasty, which would account for the high proportion of extant examples being preserved in the Imperial collection.

It is interesting to note that there are far more of the larger vessels in existence than the smaller vessels with larger numerals. The present bowl appears to be one of the very few narcissus bowls with drum nails design and inscribed with the numeral 'nine'. Other examples include one formerly in the Collection of Emil Baerwald and Herschel V. Johnson, illustrated by Robert-Schmidt in Chinese Keramik, Frankfurt, 1924, pl. 46 (left) and later sold at Sotheby's London, 21 February 1967, lot 30; another illustrated in Mayuyama Seventy Years, vol. 1, Tokyo, 1976, no. 415; and an example formerly in the J.M. Hu Family Collection and later sold at Sotheby's New York, 26 March 1996, lot 154.

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